Abstract
In the early 1990s, interest rekindled in black British literature. Nevertheless, many critics tended to regard this new black writing as merely a strand growing out of the already existing genre. But the emergence of 1990s black British writers, not only coincided with Britain’s moving into a new century, it came at a crucial time, when the notion of what constitutes British culture was undergoing unprecedented changes. As I suggest here, this newest literary effusion surely has historical roots but it represents, just as clearly, several radical transformations of that venerable tradition.
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Notes
Homi Bhabha, Re-inventing Britain: Identity, Transnationals and The Arts (London: The British Council/British Studies: November 1997), 9.
R. Victoria Arana, “Black American Bodies in the Neo-Millennial Avant-Garde Black British Poetry,” Literature and Psychology: A Journal of Psychoanalytic and Cultural Criticism 48, 4 (2002): 47–80.
David Dabydeen, A Reader’s Guide to Black British Literature (orig. 1988; rev. ed. London: Hansib, 1997).
Bernardine Evaristo, Lara (London: Angela Royal Publishing, 1997), 65.
Andrea Levy, Every Light in the House Burnin’ (London: Headline Book Publishing, 1994), 44, 45.
Diran Adebayo, Some Kind of Black (London: Abacus, 1996), 2, 3.
Courttia Newland, The Scholar (London: Abacus, 1997), 11.
Ferdinand Dennis, The Last Blues Dance (London: Harper Collins, 1996).
David Sutcliff and Ansel Wong, The Language of Black Experience (Oxford: Blackwell, 1986), 3.
Mark Sebba, “How Do You Spell Patwa?” Critical Quarterly 38, 4 (1996): 50–63.
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© 2004 R. Victoria Arana and Lauri Ramey
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Sesay, K.G. (2004). Transformations Within the Black British Novel. In: Black British Writing. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403981134_7
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DOI: https://doi.org/10.1057/9781403981134_7
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-0-230-61705-6
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