Abstract
Love in the Old French verse romance afflicts its victims with painful physical symptoms. Viewed through the optic of “courtly” love or fin’amors, a discourse taken to be idealizing, lovesickness in the romance has long been understood to represent a quasi-religious experience.2 Yet love is treated as a serious problem in a series of contemporary genres including theological treatises, decretals, canon law and commentaries, medical treatises, penitentials, saints’ lives, chronicles, and sermons. Surely the existence of this ubiquitous discussion suggests that lovesick romance heroes and heroines should be viewed as the prey of an unruly and arbitrary impulse, and that love in the romance, a phenomenon described as painful and disorienting, should be viewed as a problem rather than an idealized emotion.
Signa autem istius passionis quedam sumuntur ex parte anime, quedam ex parte corporis (Gerard of Bourges, Glosule Super Viaticum)
(Now, some of the signs of this disease are drawn from the soul’s part, some from the body’s part)1
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Notes
Jeffrey Jerome Cohen, “Masoch/Lancelotism,” New Literary History 28 (1997): 236.
Robert Bartlett, England under the Norman and Angevin Kings 1075–1225 (Oxford: Clarendon Press, 2000), p. 6.
Gabrielle Spiegel, The Past as Text: The Theory and Practice of Medieval Historiography (Baltimore and London: The Johns Hopkins University Press, 1997), p. 5.
Mary Douglas, Purity and Danger: An Analysis of the Concepts of Pollution and Taboo (1966; London and New York City: Routledge, 2002), p. 142.
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© 2005 Tracy Adams
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Adams, T. (2005). Introduction. In: Violent Passions. Studies in Arthurian and Courtly Cultures. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403980885_1
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DOI: https://doi.org/10.1057/9781403980885_1
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