Abstract
Full-face masking fulfills a fundamental goal of high-level acting: the comprehensive inhabitation of an “other.” This involves much more than just walking in someone else’s shoes. In addition to that new walk, you experience profound emotional and psychological change. You think foreign thoughts, speak strange languages, and remember alternate histories. Your body is shaped by divergent energies. Thus, you become more than just an actor wearing a mask—you become someone else, experiencing that otherness in the marrow of your bones.
Keywords
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
A characterization is the mask which hides the actor-individual. Protected by it he can lay bare his soul down to the last intimate detail.
—Stanislayski, Building a Character
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Copyright information
© 2003 Eli Simon
About this chapter
Cite this chapter
Simon, E. (2003). Full-Face Masks. In: Masking Unmasked. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403973641_2
Download citation
DOI: https://doi.org/10.1057/9781403973641_2
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-4039-6295-9
Online ISBN: 978-1-4039-7364-1
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)