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The Hound of the Baskervilles, the Man on the Tor, and a Metaphor for the Mind

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Abstract

In his accounts of the investigations conducted by Sherlock Holmes, Dr. Watson has become Arthur Conan Doyle’s fictionalized “man in the street,” responding to “the strong sweeping current of … thought” of the “chief philosophers of the age.”1 Through such accounts Watson offers a brief for a worldview that, nevertheless, points to the problematic and contradictory nature of a Darwinian perspective that was not then, as it is not now, a single, coherent one. Rather, a variety of materialist perspectives existed in late-Victorian Britain, vying for the status of a prevailing common sense. In a novel like The Hound of the Baskervilles (1901–02) there is to be found evidence for Mikhail Bakhtin’s claim that “each large and creative verbal whole is a very complex and multifaceted system of relations”: in the novel “there are no voiceless words that belong to no one. Each word contains voices that are sometimes infinitely distant, unnamed, almost impersonal …, almost undetectable, and voices resounding nearby and simultaneously.”2

By the scientific use of the imagination we may penetrate this mystery also.

John Tyndall, “Scientific Use of the Imagination” (1870)

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Notes

  1. Sir Arthur Conan Doyle,Memories and Adventures (Boston: Little, Brown, 1924), p. 26. All further references appear in the text.

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  3. In the chapter I shall consider John Tyndall as a Romantic materialist. In his recent biography of Thomas Henry Huxley, Adrian Desmond refers to Tyndall’spoetic materialism”;: see Huxley: From Devils Disciple to Evolutions High Priest (Reading, Mass.: Addison-Wesley, 1997), p. 366: his “poetic materialism was enough to drive …[St. George] Mivart to damn Tyndalls ‘creed.’ … But there was a magnificent determinism to it.”;

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  38. I am here responding to Donald P. Spence, The Freudian Metaphor: Toward Paradigm Change in Psychoanalysis (New York: W. W. Norton, 1987). For the larger significance of metaphor for our understanding of ourselves and our universe, see George Lakoff and Mark Johnson, Metaphors We Live By (Chicago: University of Chicago Press, 1980); and George Lakoff and Mark l’urner, More than Cool Reason: A Field Guide to Poetic Metaphor (Chicago: University of Chicago Press, 1989). This vision of metaphor as the basis of human understanding is more fully connected to Western philosophy by George Lakoff and Mark Johnson in their Philosophy in the Flesh: The Embodied Mind and its Challenge to Western Thought (New York: Basic Books, 1999).

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© 2003 Lawrence Frank

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Frank, L. (2003). The Hound of the Baskervilles, the Man on the Tor, and a Metaphor for the Mind. In: Victorian Detective Fiction and the Nature of Evidence. Palgrave Studies in Nineteenth-Century Writing and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9781403919328_8

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