Abstract
This chapter explores the encounter between the government of President Jomo Kenyatta, the first president of Kenya and proponents of Theatre for Development (TfD,) which is dialogical theatre meant to serve as a tool for community empowerment and development. The chapter pays special attention to the period between 1976 and 1978 when TfD suffered stagnation due to a myriad of factors such as the high cost of production, the lack of production logistics, and scarce organizational structures to support. The most significant cause of stagnation, however, was political interference from the Kenyatta administration which banned stage performances with political overtones and denied licenses to shows that were far from controversial. The crackdown on plays by African performers was swift and wide. Kenyatta’s administration summarily cancelled performances with “subversive” messages that allegedly undermined the spirit of national unity. Government spies routinely mingled with unsuspecting audiences in theatre halls and makeshift venues to identify dissident activities.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Amutabi, Maurice N. (2002). “Crisis and Student Protest in Universities in Kenya: Examining the Role of Students in National Leadership and the Democratization Process.” African Studies Review, vol. 45, no. 2, 157–177.
Anderson, David (2005). Histories of the Hanged. New York: W.W. Norton & Company.
Bayart, Jean-François (1989). L’etat en Afrique. La politique du ventre. Paris: Fayard.
Boal, Augusto (1985). Theatre of the Oppressed. Trans. Charles A. and Maria-Odilia Leal Mcbride. New York: Theatre Communication Group.
Branch, Daniel (2009). Defeating Mau Mau, Creating Kenya: Counterinsurgency, Civil War and Decolonization. Cambridge: Cambridge University Press.
Daily Nation (1982). “Why Ban ‘Muntu’?” Editorial. January 30. — (1995). January 13.
“Divide and Rule: State Sponsored Ethnic Violence in Kenya” (1993). Africa Watch. http://www.scribd.com/doc/2301005/Divide-and-Rule-Statesponsored-Ethnic-Violence-in-Kenya.
Elkins, Caroline (2005). Imperial Reckoning: The Untold Story of Britain’s Gulag in Kenya. New York: Holt Paperbacks.
Freire, Paulo (1968). Pedagogy of the Oppressed. Trans. Myra Bergman Ramos. New York: The Seabury Press.
Getino, Octavio, and Fernando Solanas (1969). “Toward a Third Cinema.” Tricontinental, vol. 14, 107–132.
Imbuga, Francis (1976). Betrayal in the City. Nairobi: East Africa Educational Publishers.
Indangasi, Henry (1997). “Ngugi’s Ideal Reader and the Postcolonial Reality.” The Yearbook of English Studies, vol. 27, 193–200.
Joseph, Odhiambo Christopher. (2008). Theatre for Development in Kenya: In Search of Appropriate Procedure and Methodology.” Bayreuth: Bayreuth African Studies.
— (2005). “Theatre for Development in Kenya: Interrogating the Ethics of Practice.” Research in Drama Education, vol. 10, no. 2, 189–199.
Kenyatta, Jomo (1938). Facing Mount Kenya: The Tribal Life of the Gikuyu. London: Seeker and Warburg.
—. ([1933]1970). “Kenya.” In Nancy Cunard (ed.), Negro: An Anthology, 452–456. New York: Frederick Ungar Publishing.
Maloba, Wunyabari O. (1993). Mau Mau and Kenya. Indianapolis, IN: Indiana University Press, 1993.
Maxon, Robert M. (1994). East Africa: An Introductory History, 2nd ed. West Virginia, VA: West Virginia University Press.
Mbugua, Tabitha (1976). “This Is the Way to Help a Sick Society.” Daily Nation, November 5.
Mlama, Penina Muhando (1991). Culture and Development: The Popular Theatre Approach in Africa. Motala Grafiska, Motala: SIDA.
Mumma, Opiyo (1997). “Concepts and Terms.” In Loukie Levert and Opiyo Mumma (eds.), Drama and Theatre: Communication in Development, Experiences in Western Kenya, 7–13. Nairobi: KDEA.
Ng’weno, Hilary (1968). “Letter from Nairobi.” Africa Arts vol. 1, no. 2, 66–69.
Ochwada, Hannington (2012). “From Kamiirithu to XYZ-Show: Between Cultural ‘Flaws’ and Democratic Change in Independent Kenya.” In Augustine Agwuele (ed.), Development, Modernism and Modernity in Africa, 196–211. New York: Routledge.
Odinga, Oginga (1967). Not yet Uhuru. Heinemann: Nairobi.
Ogolla, Lenin (1997). Towards Behavior Change: Participatory Theatre in Education and Development. Nairobi: PETAD International.
Osotsi, R. M. (1990). “The Theatre in Independent Kenya.” In William R. Ochieng’ (ed.), Themes in Kenyan History, 209–217. Nairobi: Heinemann.
Peterson, Douglas L. (1983). “Manifesto for a People’s Theatre.” The Drama Review, vol. 27, no. 4, 70–73.
Rosberg, Carl G., and Nottingham, John (1996). The Myth of “Mau Mau”: Nationalism in Kenya. Nairobi: East African Publishing House.
Savage, Donald C. (1969). “Jomo Kenyatta, Malcom MacDonald and the Colonial Office 1938–39 Some Documents from the P. R. O.” Canadian Journal of African Studies, vol. 3, no. 3, 615–632.
Savage, Donald C., and Cameron, Taylor (1991). “Academic Freedom in Kenya.” Canadian Journal of African Studies, vol. 25, no. 2, 308–321.
Thiong’o, Ngugiwa (1997). “Enactment of Power: The Politics of Performance Space.” TDR, vol. 41, no. 3, 11–30.
— (1981). Decolonising the Mind: The Politics of Language in African Literature. Nairobi: East Africa Educational Publishers.
— (1967). A Grain of Wheat. Jordan Hill, Oxford: Heinemann Educational Publishers.
Thiong’o, Ngugi wa, and Mirii, Ngugi wa (1982). I Will Marry When I Want. Oxford: Heinemann.
Thiong’o, Ngugi wa, and Mugo, Micere Githae (1976). The Trial of Dedan Kimathi. Nairobi: Heinemann.
Editor information
Copyright information
© 2016 Samson Kaunga Ndanyi
About this chapter
Cite this chapter
Ndanyi, S.K. (2016). Reassessing Jomo Kenyatta’s Crackdown on Theatre for Education and Development. In: Koster, M.M., Kithinji, M.M., Rotich, J.P. (eds) Kenya After 50. African Histories and Modernities. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137574633_5
Download citation
DOI: https://doi.org/10.1057/9781137574633_5
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-56458-3
Online ISBN: 978-1-137-57463-3
eBook Packages: HistoryHistory (R0)