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Amnesia and Identity in Contemporary Literature

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Book cover Memory in the Twenty-First Century
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Abstract

How to narrate the life story of an amnesiac? What aspects of identity remain when memory fails? A cluster of contemporary narratives, fiction and nonfiction, address these questions, offering new hypotheses about the relationship between memory and identity.

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Notes

  1. Oliver Sacks. ‘A Neurologist’s Notebook: The Abyss (Music and Amnesia).’ The New Yorker, September 24, 2007: 100–112.

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  2. Luis Buñuel, My Last Sigh: The Autobiography of Luis Buñuel (New York: Vintage, 1983), 4.

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  3. Oliver Sacks, The Man Who Mistook His Wife for a Hat (New York: Simon & Schuster, 1984), 37.

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  4. Suzanne Corkin, Permanent Present Tense: The Unforgettable Life of the Amnesiac Patient, H. M. (New York: Basic Books, 1913), xv.

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  5. Alix Kates Shulman, To Love What Is: A Maniage Transformed (New York: Farrar, Strauss and Giroux, 2007), 103.

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  6. Maud Casey, The Man Who Walked Away (New York: Bloomsbury, 2014), 135.

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  7. Kazuo Ishiguro, The Buried Giant (New York: Random House, 2015), 251–252.

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© 2016 Jason Tougaw

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Tougaw, J. (2016). Amnesia and Identity in Contemporary Literature. In: Groes, S. (eds) Memory in the Twenty-First Century. Palgrave Macmillan, London. https://doi.org/10.1057/9781137520586_34

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