Abstract
Wes Craven’s 1994 film Wes Craven’s New Nightmare presents a Bettelheimian thesis about why children desire to keep hearing horrible fairy tales. Telling the stories staves off their realization. A fantasy of anxiety prevents actual anxiety and its consequences. Moreover, the successful resolution of the tale reassures the child that he or she can securely progress through the surrounding violence.
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© 2015 Janet Staiger
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Staiger, J. (2015). The Slasher, the Final Girl and the Anti-Denouement. In: Clayton, W. (eds) Style and Form in the Hollywood Slasher Film. Palgrave Macmillan, London. https://doi.org/10.1057/9781137496478_15
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DOI: https://doi.org/10.1057/9781137496478_15
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-49646-1
Online ISBN: 978-1-137-49647-8
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)