Abstract
Amplified by their supporters and detractors, the voices of Ted Hughes and Sylvia Plath are still reverberating long after their deaths. The readings and writings that they inspire form part of an Atlantic afterlife that surfaces in the Digital Age. Plath’s death left a void that has been filled with a large body of critical responses much of which overlaps with the emotional investments of devoted readers who continue to discover her prodigious talent as a poet and also identify with the pain she suffered. Fueled by cultural rivalry across the Atlantic, devotion to Plath has also generated equal measures of hostility toward Ted Hughes who is still held accountable by some for Plath’s suicide in 1963. As her widower, he also became the chief editor of her estate and, therefore, responsible for the posthumous publications of her poems, letters, and journals. The story of Hughes and Plath was already a highly charged text further refracted and readable through a lens of great social upheaval and the development of personal autonomy in the 1960s and 1970s. The aftermath of Plath’s suicide until the publication of Birthday Letters by Hughes shortly before his death in 1998 also provides an opportunity to trace the development of the Information Age in the latter half of last century.
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Notes
“In this book, in the analysis of those writings, I am never talking of real people, but of textual entities. (Y and X) whose more than real reality, I will be arguing, goes beyond them to encircle us all.” Jacqueline Rose, The Haunting of Sylvia Plath (London: Virago Press, 1991), p. 5.
“It’s like watching Paris from an express caboose heading in the opposite direction—every second the city gets smaller and smaller, only you feel it’s really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and that excitement at about a million miles an hour” (17). Sylvia Plath, The Bell Jar (London: Faber and Faber, 1963).
Plath typed and sent off poems from The Hawk in the Rain for the Harper Brothers and New York Young Men’s Hebrew Association Poetry Center’s competition judged by W. H. Auden, Stephen Spender, and Marianne Moore, a contest that Hughes won. Neil Roberts, Ted Hughes: A Literary Life (London: Palgrave Macmillan, 2009), p. 41.
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© 2016 Sofia Ahlberg
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Ahlberg, S. (2016). A Post-Atlantic Divorce. In: Atlantic Afterlives in Contemporary Fiction. The New Urban Atlantic. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137479228_5
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DOI: https://doi.org/10.1057/9781137479228_5
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-69360-3
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