Abstract
Deriving from Christian understanding, which makes the Incarnation a fulfillment of Incarnation, this poem stands in a certain relation with Judaism, the faith of the poem’s aged speaker, who awaits the Messiah’s coming. Rather than a straightforward spiritual autobiography, this popular, but critically neglected, poem works like a dramatic monologue. An ethical, upright, and righteous person, Simeon simply and precisely waits, skeptical, lamenting the severe demands exacted by Christianity. Of critical importance to the poem is its title: “for” appears where “of” is surely expected. The poem is Simeon’s words held up as a mirror for him to see himself.
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Notes
T.S. Eliot, Four Quartets (New York: Harcourt, Brace, 1943).
B.C. Southam, A Reader’s Guide to the Selected Poems of T.S. Eliot, 6th edn (San Diego, CA: Harcourt, Brace, 1996), 240–41.
Barry Spurr, ‘Anglo-Catholic in Religion’: T.S. Eliot and Christianity (Cambridge: Lutterworth, 2010), 214.
George Williamson, A Reader’s Guide to T.S. Eliot: A Poem-by-Poem Analysis (New York: Noonday, 1953), 166.
Elizabeth Drew, T.S. Eliot: The Design of His Poetry (New York: Scribner’s 1949), 122.
Hugh Kenner, The Invisible Poet: T.S. Eliot (New York: McDowell, Obolensky 1959), 250–54.
John H. Timmerman, T.S. Eliot’s Ariel Poems: The Poetics of Recovery (Lewisburg, PA: Bucknell UP, 1994), 120.
T.S. Eliot, Poems 1909–1925 (London: Faber and Gwyer, 1925).
Cynthia Ozick, “The Riddle of the Ordinary,” rpt. in The Art of the Essay, ed. Lydia Fakundiny (Boston, MA: Houghton Mifflin, 1991), 416–23, esp. 421.
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© 2014 G. Douglas Atkins
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Atkins, G.D. (2014). A Song for Simeon: The Difference the Letter Makes: Prayer, Self-Criticism, Validity. In: T.S. Eliot’s Christmas Poems: An Essay in Writing-as-Reading and Other “Impossible Unions”. Palgrave Pivot, New York. https://doi.org/10.1057/9781137479129_7
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DOI: https://doi.org/10.1057/9781137479129_7
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