Abstract
Early in my tenure as dean of Arts and Humanities at Keene State College, New Hampshire, in the spring of 2004, I served as lunch speaker at the college’s annual undergraduate research conference. Dozens of students present papers and posters or perform dances, music, and plays. The day celebrates student discovery, creativity, discipline, and achievement; acknowledges faculty mentors who model and support research and innovation; and praises invention. Several hundred in attendance, including assembled students, families, faculty, staff, and trustees of the University System of New Hampshire, at a college where more than 40 percent of undergraduates are first generation, learn that the arts and humanities, like the sciences and professional studies, help people to lead fulfilling lives and prepare students to contribute to their communities. So I laud research on therapy using horses to help young people with disabilities, honors students’ service in South African schools, and math students’ research on global education. Curious, imaginative students pursue challenging questions that create new knowledge.
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Notes
Adrienne Rich, “When We Dead Awaken: Writing as Re-Vision,” College English 34, no. 1 (1972): 19.
Martha Nussbaum, Poetic Justice: The Literary Imagination and Public Life (Boston: Beacon Press, 2005), xviii.
Andrew Delbanco, College: What It Was, Is, and Should Be (Princeton, NJ: Princeton University Press, 2012), 105.
Geoffrey Galt Harpham, The Humanities and the Dream of America (Chicago: University of Chicago Press, 2011), 190.
Lady Mary Wroth, The Poems of Lady Mary Wroth, ed. Josephine A. Roberts (Baton Rouge: Louisiana State University Press, 1983), 113.
Lady Mary Wroth, The First Part of The Countess of Montgomery’s Urania, ed. Josephine A. Roberts (Binghamton, NY: RETS/MRTS, 1995), 515.
Ann L. Mullen, Degrees of Inequality: Culture, Class, and Gender in American Higher Education (Baltimore, MD: The Johns Hopkins University Press, 2010).
Barbara Herrnstein Smith, Scandalous Knowledge: Science, Truth and the Human (Durham, NC: Duke University Press, 2005).
Carol Geary Schneider, “The LEAP Vision for Learning: Outcomes, Practices, Impact, and Employers’ Views,” Peer Review 13, no. 2 (Spring 2011): 34, http://www.aacu.org/leap/publications.cfm.
Jennifer Summit, “Renaissance Humanismand the Future of the Humanities,” Literature Compass 9, no. 10 (October 2012): 665, doi: 10.1111/j.1741-4113.2012.00921.x.
Susan Frye, Pens and Needles: Women’s Textualities in Early Modern England (Philadelphia: University of Pennsylvania Press, 2010).
See Nona Fienberg, “Mary Wroth and the Invention of Female Poetic Subjectivity,” in Reading Mary Wroth: Representing Alternatives in Early Modern England, ed. Naomi J. Miller and Gary Waller (Knoxville: University of Tennessee Press, 1991), 175–90, esp. 189. Susan Frye discusses the significance ofwomen worthies in Pens and Needles, esp. Chapter 3.
Heidi Welch, interview by Sarah Palermo, Concord Monitor, October 2, 2012, http://www.concordmonitor.com/article/358620/mighty-inspiration.
Sarah Spykman, “A Bookcase,” A nice thing … (blog), November 16, 2010, http://anicething.com/2010/11/16/a-bookcase/.
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© 2015 Katherine R. Larson and Naomi J. Miller with Andrew Strycharski
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Fienberg, N. (2015). Strange Labyrinths: Wroth, Higher Education, and the Humanities. In: Larson, K.R., Miller, N.J., Strycharski, A. (eds) Re-Reading Mary Wroth. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137473349_16
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DOI: https://doi.org/10.1057/9781137473349_16
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