The Dragon River Reaches the Borders: The Rehabilitation of Ethnic Music in a Model Opera
This chapter examines the “transplantation” (Korean yishik) of the model opera Song of the Dragon River (Longjiang song 1971), as it was adapted for the Korean minority population in northeast China. This was part of a wide push to popularize (puji Korean: pogŭp) the revolutionary model works (yangbanxi Korean: ponbogi kŭk)1 throughout China, initially through radio, films, books, newspapers, and artefacts, and later through regional and ethnic musico-dramatic forms.2 From 1972, cultural organs all over China set about transplanting the model works, including all the troupes working in the Yanbian Korean Autonomous Prefecture, Jilin Province.
KeywordsCultural Revolution Cultural Worker Sluice Gate Folk Song Musical Style
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