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Abstract

Chapter 3 examines James Stanier Clarke’s fashionable sketch of Austen holding a muffin relation to other images we have of her, particularly the famous drawing of Austen by her sister Cassandra, and the recently discovered “unseen” portrait of her by Paula Byrne which, like the muff drawing has not been authenticated. The chapter considers the drawing of Austen, found in Clarke’s friendship book, alongside contemporary fashion plates and as a material artifact in and of itself. Austen’s connection to the muff is a provocative invitation to re-envision her awareness of Regency style and accessories. The way twenty-first-century readers wish to imagine Austen may be very different from the ways in which her contemporaries envisioned her.

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Notes

  1. Joan Ray and Richard James Wheeler, “James Stanier Clarke’s Portrait of Austen,” Persuasions 27 (2005), 114.

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  8. Jody Gayle, ed. Fashions in the Era of Jane Austen: Ackermanns Repository of Arts. Literature, Commerce, Manufactures, Fashions, and Politics (Columbia: Publications of the Past Inc., 2012). This volume has no page numbers.

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© 2015 Laura Engel

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Engel, L. (2015). Jane Austen as Fashion Plate: Musings on Muffs. In: Austen, Actresses and Accessories: Much Ado About Muffs. Palgrave Macmillan, London. https://doi.org/10.1057/9781137427946_4

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