Skip to main content

Early Experiments: Pastoral and Elizabethan Staging

  • Chapter
Open-Air Shakespeare: Under Australian Skies

Part of the book series: Global Shakespeares ((GSH))

  • 58 Accesses

Abstract

This chapter charts the early history of outdoor Shakespeares in Australia from the first productions mounted in the gardens of stately homes to the experiments in Elizabethan performance conditions of the 1950s and 1960s that aimed to showcase the comparative advantages of the Elizabethan open-air stage. Open-air Shakespeares discussed here include those staged by Allan Wilkie’s touring company in the 1920s, Colin Ballantyne’s 1951 As You Like It in Adelaide, and various productions staged in Perth at the University of Western Australia through to the opening of the University’s New Fortune theatre with Hamlet in 1964.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Bill Dunstone, “Dinkum Shakespeare? Perth, Empire and the Bard,” in O Brave New World: Two Centuries of Shakespeare on the Australian Stage, ed. John Golder and Richard Madelaine (Sydney: Currency Press, 2001), 166.

    Google Scholar 

  2. Michael Dobson, Shakespeare and Amateur Performance (Cambridge: Cambridge University Press, 2011), 173.

    Book  Google Scholar 

  3. John Golder, “A Cultural Missionary on Tour: Allan Wilkie’s Shakespearean Company, 1920–30” in O Brave New World: Two Centuries of Shakespeare on the Australian Stage, ed. John Golder and Richard Madelaine (Sydney: Currency Press, 2001), 121.

    Google Scholar 

  4. Gay McAuley, Space in Performance (Michigan: University of Michigan Press, 1999), 7

    Google Scholar 

  5. Terry Craig, “Te University and the Arts,” in Campus in the Community: The University of Western Australia, 1963–1987, ed. Brian de Garis (Nedlands, WA: University of Western Australia Press, 1988), 48.

    Google Scholar 

  6. John Bell, The Time of My Life (Crow’s Nest NSW: Allen & Unwin, 2002), 43.

    Google Scholar 

  7. Penny Gay, “International Glamour or Home-grown Entertainment? 1948–1964,” in O Brave New World: Two Centuries of Shakespeare on the Australian Stage, ed. John Golder and Richard Madelaine (Sydney: Currency Press, 2001), 199.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Copyright information

© 2014 Rosemary Gaby

About this chapter

Cite this chapter

Gaby, R. (2014). Early Experiments: Pastoral and Elizabethan Staging. In: Open-Air Shakespeare: Under Australian Skies. Global Shakespeares. Palgrave Macmillan, London. https://doi.org/10.1057/9781137426864_2

Download citation

Publish with us

Policies and ethics