Abstract
In the discussion of the structure of comedy, I mostly follow Evanthius’s distinctions.1 I have already mentioned all four of them: prologue, protasis, epitasis and catastrophe. In the present chapter I reveal how the first three function (catastrophe is addressed in the following chapter) with reference to several known comedies. This also includes a discussion of several comic topoi, or “topics”—the strategies of “argument” central to any comedy that lead to hilarity, confusion, and much laughter but also ensure resolution in a good ending. These strategies reveal that, often, in comedy “whatever works,” and yet—not just anything goes.
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Notes
Vladimir Propp. Morphology of the Folktale. Edited with an introduction by Svatava Pirkova-Jakobson. Trans. by Laurence Scott. Bloomington: Indiana University Press, 1958, pp. 68–71, 130–31.
See Axel Honneth. Kampf um Anerkennung. Zur moralischen Grammatik sozialer Konflikte. Frankfurt am Main: Suhrkamp, 1992, pp. 274–87.
See W. Görler. “Doppelhandlung, Intrige und Anagnorismos bei Terenz.” Poetica 5 (1972), pp. 164–82.
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© 2014 Dmitri Nikulin
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Nikulin, D. (2014). Whatever Works: Structure and Topics of Comedy. In: Comedy, Seriously. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137415141_4
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DOI: https://doi.org/10.1057/9781137415141_4
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-49051-6
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