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Abstract

When the residents of Fuente Ovejuna collectively claimed responsibility for the 1476 murder of Knight Commander Fernán Gómez de Guzmán, they successfully thwarted the process aimed at pinpointing and punishing the culprit. The account of these events inspired Lope de Vega to write Fuente Ovejuna, whose characters withstand great torture but steadfastly protect Frondoso’s identity. After all, in killing the commander, Frondoso saves the town from a cruel tyrant. One by one, they audaciously tell the inquiring judge, who will later report to the Spanish monarchs, that “Fuente Ovejuna” is responsible for Fernán Gómez’s death. In so doing, the oppressed villagers—a unified collective—defy the logic of the legal procedures. The “innocent” insist on their guilt to ensure that the “guilty” retains his innocence. By blurring these distinctions, Fuente Ovejuna’s residents achieve a type of justice unforeseen by the legal system. Their solidarity leads to the crowd-pleasing denouement characteristic of Lope’s comedias (King Ferdinand and Queen Isabella pardon all). But more critically for the purposes of my project, the villagers’ feat attests to their ability to manipulate a legal system and alter its categorical definitions.

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Notes

  1. Ntare Guma Mbaho Mwine, Biro (Seattle: Amazon Digital Services, 2010). Citations to Biro are noted parenthetically and abbreviated BI. I refer to Kindle location numbers and maintain Mwine’s line divisions and punctuation. I also base observations about Biro on the DVD recording of a performance at Uganda’s National Theatre (Canoga Park, CA: Cinema Libre, 2007).

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© 2014 Gad Guterman

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Guterman, G. (2014). Act § 331—Alien Enemies. In: Performance, Identity, and Immigration Law. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137411006_5

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