Abstract
In his 1928 essay on Lancelot Andrewes, Eliot focuses on the Bishop’s sermons and his intensely verbal and comparative way of both reading and writing, “squeezing and squeezing words until they yield a full juice of meaning.” In his own literary commentary, Eliot employs what he calls the “tools of criticism”: “comparison and analysis.” Comparison especially needs to be related to the central Christian doctrine of the Incarnation, which involves two—God and man—in “impossible union.” Reading in parallel structural fashion always involves (at least) two, consisting of the “intersection” of reader and text.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Nicholas Lossky, Lancelot Andrewes the Preacher (1555–1626): The Origins of the Mystical Theology of the Church of England, trans. Andrew Louth (Oxford: Clarendon Press, 1991), 78.
Geoffrey H. Hartman, Criticism in the Wilderness: The Study of Literature Today (New Haven, CT: Yale UP, 1980), esp. 221–23.
T.S. Eliot, The Sacred Wood: Essays on Poetry and Criticism (London: Methuen, 1920), 33.
Eliot, For Lancelot Andrewes: Essays on Style and Order (Garden City, NY: Doubleday, Doran, 1929), 14–15.
Copyright information
© 2013 G. Douglas Atkins
About this chapter
Cite this chapter
Atkins, G.D. (2013). On Reading and Incarnation. In: T.S. Eliot, Lancelot Andrewes, and the Word: Intersections of Literature and Christianity. Palgrave Pivot, New York. https://doi.org/10.1057/9781137381637_1
Download citation
DOI: https://doi.org/10.1057/9781137381637_1
Publisher Name: Palgrave Pivot, New York
Print ISBN: 978-1-349-48250-4
Online ISBN: 978-1-137-38163-7
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)