Abstract
To the extent that it could be done, an animated cartography tracking the journeys of unburied biological remains of indigenous peoples from the formerly colonized world would generate global lines of movement along imperial trade, trafficking and migration routes, coalescing in scientific and cultural institutions across Europe, North and South America and Australasia. Clearly, we can say that human remains are, in a geophysical sense, separable from their communities of origin. But are they alienable? The concept of inalienability is, of course, central to human rights discourse as it was formulated during the Enlightenment and formalized in the mid-twentieth century. Inalienability is also persistently difficult to define because of the way in which it seems to announce and preclude its opposite, the condition of not having rights. The ontological and political basis of this condition is known: in his widely-cited theorization of homo sacer or bare life and the concentration camp, Giorgio Agamben offers an analytic tool by which to comprehend how the human is cleaved from its ‘inalienable’ rights, and is in such terms confined to a condition that is unspeakable, under a state of exception.1 I invoke Agamben here because his emphasis on the biopolitics of rights seems a productive jumping-off point to conceptualize human rights as they pertain to biological remains.
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Notes
Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life, trans. Daniel Heller-Roazen (Stanford: Stanford University Press, 1998).
Judith Butler, Frames of War: When Is Life Grievable? (London: Verso, 2009), 14.
Annette B. Weiner, Inalienable Possessions: The Paradox of Keeping-While-Giving (Berkeley: University of California Press, 1992), 33.
See also Christopher Balme, Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas(Basingstoke: Palgrave Macmillan, 2007);
Marc Maufort and David O’Donnell, eds., Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (Brussels: Peter Lang, 2007);
Margaret Werry, The Tourist State: Leisure, Liberalism, and Race in New Zealand (Minneapolis: University of Minnesota Press, 2011);
Emma Cox, Theatre and Migration (Basingstoke: Palgrave Macmillan, 2014).
See, for example, Weiner, Inalienable Possessions, 57–8; Brian Hole, ‘Playthings for the Foe: The Repatriation of Human Remains in New Zealand,’ Public Archaeology 6, no. 1 (2007): 5–27.
See also Hirini Matunga, ‘Waahi Tapu: Sacred Sites,’ in Sacred Sites, Sacred Places, ed. David L. Carmichael, Jane Hubert, Brian Reeves and Audhild Schanche (Abingdon: Routledge, 2013), 217–26.
Hirini Moko Mead, Tikanga Maori (Wellington: Huia Publishers, 2003), 148. See also Matunga, ‘Waahi Tapu’.
See Corinne David-Ives, ‘Maori Heads in French Museum Collections: A Recent Controversy Illuminated by the Works of a Contemporary Maori Artist,’ Journal of New Zealand and Pacific Studies 1, no. 2 (2013): 115–29, 116–17.
Marc Maufort, ‘Recapturing Maori Spirituality: Briar Grace-Smith’s Magic Realist Stage Aesthetic,’ in Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition, ed. Marc Maufort and David O’Donnell (Brussels: Peter Lang, 2007), 247–68, 249.
Alexandra Sauvage, ‘Narratives of Colonisation: The Musée du quai Branly in Context,’ ReCollections: Journal of the National Museum of Australia 2, no. 2 (2007): 135–52, 139–40.
James Clifford, ‘Quai Branly in Process,’ October 120 (2007): 3–23, 14. On the wider context, see also Margaret Jolly, ‘Becoming a “New” Museum?: Contesting Oceanic Visions at Muse’e du Quai Branly,’ The Contemporary Pacific 23, no. 1 (2011): 108–39.
Giorgio Agamben, Means without End: Notes on Politics, trans. Vincenzo Binetti and Cesare Casarino (Minneapolis: University of Minnesota Press, 2000), 40. Italics in original.
Maria Tumarkin, Traumascapes: The Power and Fate of Places Transformed by Tragedy (Melbourne: Melbourne University Press, 2005), 162.
Catherine Nash, ‘They’re Family! Cultural Geographies of Relatedness in Popular Genealogy,’ in Uprootings/Regroundings: Questions of Home and Migration, ed. Sara Ahmed, Claudia Casteñeda, Anne-Marie Fortier and Mimi Sheller (Oxford: Berg, 2003), 179–203.
Maria Tumarkin, ‘Crumbs of Memory: Tracing the “More-than Representational” in Family Memory,’ Memory Studies 6, no. 3 (2013): 310–20, 311.
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© 2015 Emma Cox
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Cox, E. (2015). Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation. In: Luckhurst, M., Morin, E. (eds) Theatre and Human Rights after 1945. Palgrave Macmillan, London. https://doi.org/10.1057/9781137362308_7
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DOI: https://doi.org/10.1057/9781137362308_7
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