Abstract
In contemporary culture white upper/middle-class celebrity women’s ‘race’ aesthetic power continues to be shown in the bone which juts out of the skin, physical frailty and psychic vulnerability. However, Black-white ‘mixed race’ women continue to represent sexual desire through Sable-Saffron Venus’s curves, or assumed physical/ psychic sturdiness and reproductive vigour. This chapter looks at the Black, lighter-skinned celebrity body in the UK placed as thin (Thandie Newton) or representing a voluptuous but flat-stomached slimness that is not size 0 (Alesha Dixon and Beyoncé) in order to show that there is always already a corporeality of white class and gender related to thinness, to visible bone but that this is not exclusive to white women. The discussion questions how the Black-white ‘mixed race’ celebrity woman’s body extends transracially through British advertising.
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© 2015 Shirley Anne Tate
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Tate, S.A. (2015). Pleasure Politics: The Cult of Celebrity, Mullatticity and Slimness. In: Black Women’s Bodies and The Nation. Genders and Sexualities in the Social Sciences. Palgrave Macmillan, London. https://doi.org/10.1057/9781137355287_6
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DOI: https://doi.org/10.1057/9781137355287_6
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-67542-5
Online ISBN: 978-1-137-35528-7
eBook Packages: Palgrave Social Sciences CollectionSocial Sciences (R0)