Skip to main content
  • 235 Accesses

Abstract

Nestled in Book Six of Ovid’s Metamorphoses, following the flaying of Marsyas and the rejoining of Pelops’s severed body, comes one of the most horrific and haunting of Ovid’s myths of transformation, the tale of Tereus, Procne, and Philomela:

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 16.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Leonard Barkan, The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism (New Haven and London: Yale University Press, 1986), 243.

    Google Scholar 

  2. Gordon Braden, ‘Ovid and Shakespeare’, in A Companion to Ovid, ed. Peter E. Knox (Hoboken: John Wiley and Sons, 2009), 640–1.

    Google Scholar 

  3. Sarah Annes Brown, ‘Philomela’, Translation and Literature 13 (2004): 194–206, 196.

    Article  Google Scholar 

  4. Don Cameron Allen, Mysteriously Meant: The Rediscovery of Pagan Symbolism and Allegorical Interpretation in the Renaissance (Baltimore and London: Johns Hopkins University Press, 1970), esp. 163–99.

    Google Scholar 

  5. Jonathan Bate, Shakespeare and Ovid (Oxford: Clarendon Press, 1993), esp. 25.

    Google Scholar 

  6. Georgia Brown, Redefining Elizabethan Literature (Cambridge University Press, 2004), 42.

    Book  Google Scholar 

  7. A.B. Taylor, Introduction to Shakespeare’s Ovid: The Metamorphoses in the Plays and Poems, ed. A.B. Taylor (Cambridge University Press, 2000), 1–2

    Google Scholar 

  8. Colin Burrow, ‘Shakespeare and Humanistic Culture’, in Shakespeare and the Classics, ed. Charles Martindale and A.B. Taylor (Cambridge University Press, 2004), 13.

    Google Scholar 

  9. Stephen Gosson, The Schoole of Abuse, Conteining a pleasaunt invective against Poets, Pipers, Plaiers, Jesters, and such like Caterpillers of a Commonwealth (1570), ed. Edward Arber (London, 1906), 20. Quoted in Bate, Shakespeare and Ovid, 24.

    Google Scholar 

  10. Raphael Lyne, ‘Ovid in English Translation’, in The Cambridge Companion to Ovid, ed. Philip Hardie (Cambridge University Press, 2002), 249.

    Chapter  Google Scholar 

  11. Raphael Lyne, Ovid’s Changing Worlds: English Metamorphoses, 1567–1632 (Oxford University Press, 2001).

    Book  Google Scholar 

  12. Liz Oakley-Brown, Ovid and the Cultural Politics of Translation in Early Modern England (Aldershot: Ashgate, 2006), 1–15.

    Google Scholar 

  13. Raphael Lyne, ‘The Paratext of Golding’s Ovid’, in English Literature and Transformation, ed. Sabine Coelsch-Foisnel (Tubingen: Stauffenburg Verlag, 1999), 57–69.

    Google Scholar 

  14. Madeline Forey, ‘“Bless thee, Bottom, bless thee! Thou Art Translated!” Ovid, Golding, and “A Midsummer Night’s Dream”’, The Modern Language Review 93 (1998): 321–9, esp. 325.

    Article  Google Scholar 

  15. Cora Fox, Ovid and the Politics of Emotion in Elizabethan England (New York and Basingstoke: Palgrave Macmillan, 2009), 22–3.

    Book  Google Scholar 

  16. Charles and Michelle Martindale, Shakespeare and the Uses of Antiquity: An Introductory Essay (London and New York: Routledge, 1990), 72–3.

    Google Scholar 

  17. Lee T. Pearcy also comments that, ‘new developments in style and new ways of reading the ancient authors had made it possible to translate a new Ovid’ (The Mediated Muse: English Translations of Ovid, 1560–1700 [Hamden, CT: Archon Books, 1984], 1.

    Google Scholar 

  18. William Keach, Elizabethan Erotic Narratives: Irony and Pathos in the Ovidian Poetry of Shakespeare, Marlowe, and Their Contemporaries (New Brunswick: Rutgers University Press, 1977), 31–5, esp. 4

    Google Scholar 

  19. Laurence Lerner, ‘Ovid and the Elizabethans’, in Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century, ed. Charles Martindale (Cambridge University Press, 1988), 121–35.

    Google Scholar 

  20. Colin Burrow, ‘Re-embodying Ovid: Renaissance Afterlives’, in The Cambridge Companion to Ovid, ed. Philip Hardie (Cambridge University Press, 2002), 301–19, 304.

    Chapter  Google Scholar 

  21. Patrick Cheney, Marlowe’s Counterfeit Profession: Ovid, Spenser, Counter-Nationhood (University of Toronto Press, 1997).

    Google Scholar 

  22. Charles Martindale, ‘Ovid is no moraliser but his sympathetic interest in so many aspects of the human predicament has its own moral dimension’ (Introduction to Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century, ed. Charles Martindale [Cambridge University Press, 1988], 9)

    Google Scholar 

  23. Segal, Landscape in Ovid’s ‘Metamorphoses’: A Study in the Transformations of a Literary Symbol (Wiesbaden: Franz Steiner Verlag GMBH, 1969), 2–3

    Google Scholar 

  24. Stanivukovic, Introduction to Ovid and the Renaissance Body, ed. Goran V. Stanivukovic (University of Toronto Press, 2001), 5.

    Google Scholar 

  25. Agnès Lafont, Introduction to Shakespeare’s Erotic Mythology and Ovidian Renaissance Culture, ed. Agnès Lafont (Farnham: Ashgate, 2013), 2.

    Google Scholar 

  26. Dennis J. Siler, The Influence of the Roman Poet Ovid on Shakespeare’s A Midsummer Night’s Dream: Intertextual Parallels and Meta-Ovidian Tendencies (Lewiston, NY: Edwin Mellen Press, 2010), 10–12.

    Google Scholar 

  27. Heather James, Shakespeare’s Troy: Drama, Politics, and the Translation of Empire, Cambridge Studies in Renaissance Literature and Culture 22 (Cambridge University Press, 1997).

    Book  Google Scholar 

  28. W.R. Johnson, ‘The Problem of the Counter-Classical Sensibility’, California Studies in Classical Antiquity 3 (1970): 123–50.

    Article  Google Scholar 

  29. Gregory Heyworth, Desiring Bodies: Ovidian Romance and the Cult of Form (University of Notre Dame, 2009), 9.

    Google Scholar 

  30. Leo Curran, ‘Trans and Anti-Augustanism in Ovid’s Metamorphoses’, Arethusa 5 (1972): 71–91.

    Google Scholar 

  31. Joseph B. Solodow writes that ‘any grand scheme of significance in their [the tales’] arrangement is illusory’ (The World of Ovid’s Metamorphoses [Chapel Hill: University of North Carolina Press, 1988], 2).

    Google Scholar 

  32. Hugh Parry, ‘Ovid’s Metamorphoses: Violence in a Pastoral Landscape’, Transactions and Proceedings of the American Philological Association 95 (1964): 268–82, esp. 270–82

    Article  Google Scholar 

  33. L.P. Wilkinson, Ovid Surveyed (Cambridge University Press, 1962), 53–4

    Google Scholar 

  34. Alison Sharrock, ‘Gender and Sexuality’, in The Cambridge Companion to Ovid, ed. Philip Hardie (Cambridge University Press, 2002), 95–107, 104.

    Chapter  Google Scholar 

  35. J.A. Simpson, E.S.C. Weiner, and Michael Proffitt, Oxford English Dictionary (Oxford: Clarendon Press, 1993), 29.

    Google Scholar 

  36. Fred H. Frankel, ‘The Concept of Flashbacks in Historical Perspective’, International Journal of Clinical and Experimental Hypnosis 42 (1994): 328

    Google Scholar 

  37. Ruth Leys, Trauma: A Genealogy (University of Chicago Press, 2000), 241–2.

    Book  Google Scholar 

  38. Allan Young, The Harmony of Illusions: Inventing Post-traumatic Stress Disorder (Princeton University Press, 1995), 5.

    Google Scholar 

  39. Kirby Farrell, Post-traumatic Culture: Injury and Interpretation in the Nineties (Baltimore and London: Johns Hopkins University Press, 1998), 6.

    Google Scholar 

  40. From American Psychiatric Association (2013) Diagnostic and Statistical Manual of Mental Disorders, 5th edn (Washington, DC: National Center for PTSD), http://www.ptsd.va.gov/professional/pages/dsm5_criteria_ptsd.asp. Date created: 10 June 2013; accessed 12 September 2013.

    Google Scholar 

  41. Roger Luckhurst, The Trauma Question (London and New York: Routledge, 2008), esp. 34

    Google Scholar 

  42. Elaine Showalter, The Female Malady: Women, Madness, and English Culture, 1830–1980 (New York: Pantheon Books, 1985), 167–94.

    Google Scholar 

  43. Cathy Caruth, ‘An Interview with Jean Laplanche’, in Typologies of Trauma: Essays on the Limit and Knowledge of Memory, ed. Linda Belau and Petar Ramadanovic (New York: Other Press, 2002), 103.

    Google Scholar 

  44. Linda Belau, ‘Introduction: Remembering, Repeating, and Working-Through: Trauma and the Limit of Knowledge’, in Topologies of Trauma: Essays on the Limit of Knowledge and Memory, ed. Linda Belau and Petar Ramadanovic (New York: Other Press, 2002), xvi.

    Google Scholar 

  45. Peter Gay, Freud: A Life for Our Time (1988); (London: Papermac, 1995), 376.

    Google Scholar 

  46. Lewis R. Yealland, Hysterical Disorders of Warfare (London: Macmillan, 1918), 7–10.

    Google Scholar 

  47. Eric J. Leed, No Man’s Land: Combat and Identity in World War I (Cambridge University Press, 1979), esp. 163–92.

    Google Scholar 

  48. Judith Lewis Herman, Trauma and Recovery (New York: Basic Books, 1992)

    Google Scholar 

  49. Ann Cvetkovich, An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (Durham, NC: Duke University Press, 2003).

    Book  Google Scholar 

  50. Cathy Caruth, Unclaimed Experience: Trauma, Narrative, and History (Baltimore: Johns Hopkins University Press, 1996), 425.

    Google Scholar 

  51. Cathy Caruth, Introduction to Trauma: Explorations in Memory (Baltimore: Johns Hopkins University Press, 1995), 8.

    Google Scholar 

  52. Deborah Willis, ‘“The gnawing vulture”: Revenge, Trauma Theory, and Titus Andronicus’, Shakespeare Quarterly 53.1 (2002): 21–52.

    Article  Google Scholar 

  53. Lisa S. Starks, ‘“Remember Me”: Psychoanalysis, Cinema, and the Crisis of Modernity’, Shakespeare Quarterly 53.2 (2002): 181–200.

    Article  Google Scholar 

  54. Heather Hirschfeld, ‘Hamlet’s “first corse”: Repetition, Trauma, and the Displacement of Redemptive Typology’, Shakespeare Quarterly 54.4 (2003): 424–48.

    Article  Google Scholar 

  55. Thomas P. Anderson, Performing Early Modern Trauma from Shakespeare to Milton (Farnham and Burlington, VT: Ashgate, 2006)

    Google Scholar 

  56. Patricia A. Cahill, Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage (Oxford University Press, 2008).

    Google Scholar 

  57. Dominick LaCapra, Writing History, Writing Trauma (Baltimore: Johns Hopkins University Press, 2001).

    Google Scholar 

  58. Sean McDowell, ‘The View from the Interior: The New Body Scholarship in Renaissance/Early Modern Studies’, Literature Compass 3 (2006): 787.

    Article  Google Scholar 

  59. Garrett A. Sullivan, Sleep, Romance, and Human Embodiment (Cambridge University Press, 2012), esp. 1–9.

    Google Scholar 

  60. F. David Hoeniger, Medicine and Shakespeare in the English Renaissance [Newark: University of Delaware Press, 1992], 113

    Google Scholar 

  61. Edward T. Withington (appendix 4, Medical History [London, 1894], 387–96)

    Google Scholar 

  62. Ruth Harvey, The Inward Wits: Physiological Theory in the Middle Ages and the Renaissance (London: Warburg Institute, 1975), 4–5, 20–9.

    Google Scholar 

  63. Adam H. Kitzes, The Politics of Melancholy from Spenser to Milton (New York and London: Routledge, 2006), 27–57.

    Google Scholar 

  64. Robert Burton, The Anatomy of Melancholy (1621), ed. Holbrook Jackson (New York Review Books, 2001), esp. III. IV.

    Google Scholar 

  65. Garrett A. Sullivan, Memory and Forgetting in English Renaissance Drama (Cambridge University Press, 2005), 7–9.

    Book  Google Scholar 

  66. Lesel Dawson, Lovesickness and Gender in Early Modern English Literature (Oxford University Press, 2008).

    Google Scholar 

  67. M. Andreas Laurentius, A Discourse of the Preservation of the Sight; of Melancholike Diseases; of Rheumes, and of Old Age, trans. Richard Surphlet (London, 1599), 118.

    Google Scholar 

  68. Juliana Schiesari, The Gendering of Melancholia: Feminism, Psychoanalysis, and the Symbolics of Loss in Renaissance Literature (Ithaca, NY: Cornell University Press, 1992)

    Google Scholar 

  69. Gail Kern Paster, The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England (Ithaca, NY: Cornell University Press, 1993)

    Google Scholar 

  70. Elaine Showalter, ‘Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism’, in Shakespeare and the Question of Theory, ed. Patricia Parker and Geoffrey Hartman (New York: Methuen, 1985), 77–94.

    Google Scholar 

  71. Carol Thomas Neely, Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture (Ithaca, NY, and London: Cornell University Press, 2004), 99–100.

    Google Scholar 

  72. Bruce R. Smith, Homosexual Desire in Shakespeare’s England: A Cultural Poetics (University of Chicago Press, 1991), 15–22.

    Google Scholar 

  73. Mary Frances Wack, Lovesickness in the Middle Ages: The ‘Viaticum’ and Its Commentaries (Philadelphia: University of Pennsylvania Press, 1990), 166–73.

    Google Scholar 

  74. James M. Bromley takes this position in his analysis of masochistic practices in Intimacy and Sexuality in the Time of Shakespeare (Cambridge University Press, 2011), see esp. 83.

    Google Scholar 

  75. Carol Siegel, Male Masochism: Modern Revisions of the Story of Love (Bloomington: Indiana University Press, 1995).

    Google Scholar 

  76. Lisa S. Starks, ‘“Batter my [flaming] heart”: Male Masochism in the Religious Lyrics of Donne and Crashaw’, Enculturation 1.2 (1997): n. pag. Web. 15 May 2012

    Google Scholar 

  77. Lisa S. Starks, ‘“Immortal longings”: The Erotics of Death in Shakespeare’s Antony and Cleopatra’, in Antony and Cleopatra: New Critical Essays, ed. Sara Munson Deats (New York and London: Routledge, 2005), 245–8

    Google Scholar 

  78. Melissa E. Sanchez, Erotic Subjects: The Sexuality of Politics in Early Modern English Literature (Oxford University Press, 2011)

    Google Scholar 

  79. Catherine Bates, Masculinity, Gender, and Identity in the English Renaissance Lyric (Cambridge University Press, 2007)

    Google Scholar 

  80. Cynthia Marshall, The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts (Baltimore: Johns Hopkins University Press, 2002).

    Google Scholar 

  81. Catherine Bates, ‘Astrophil and the Manic Wit of the Abject Male’, Studies in English Literature 41.1 (2001), 1–24, 9.

    Article  Google Scholar 

  82. Lisa S. Starks, ‘That’s Amores! Latin Love and Lovesickness in Shakespeare’s Venus and Adonis’, The Shakespearean International Yearbook 7 (2007): 75–91.

    Google Scholar 

  83. Julia Kristeva, Black Sun: Depression and Melancholia, trans. Leon S. Roudiez (New York: Columbia University Press, 1989), 131.

    Google Scholar 

  84. Kaja Silverman, Male Subjectivity at the Margins (New York: Routledge, 1992).

    Google Scholar 

  85. Theodor Reik, Masochism in Modern Man, trans. Margaret H. Beigel and Gertrud M. Kurth (New York: Farrar, Straus, 1949).

    Google Scholar 

  86. William J. Bouwsma, ‘The Two Faces of Humanism: Stoicism and Augustinianism in Renaissance Thought’, in A Usable Past: Essays in European Cultural History (Berkeley: University of California Press, 1990), 35–6.

    Google Scholar 

  87. Gail Kern Paster, Humoring the Body: Emotions and the Shakespearean Stage (University of Chicago Press, 2004), 1.

    Book  Google Scholar 

  88. Edward Reynolds, A Treatise of the Passions and Faculties of the Soule of Man, ed. Margaret Lee Wiley (Gainesville, FL: Scholars’ Facsimiles and Reprints, 1971)

    Google Scholar 

  89. Thomas Wright, The Passions of the Mind in Generall, ed. Thomas O. Sloan (1604; Urbana: University of Illinois Press, 1971).

    Google Scholar 

  90. Michael Schoenfeldt, Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton (Cambridge University Press, 1999), 15.

    Google Scholar 

  91. Helkiah Cooke, Microcosmographia; or, A Description of the Body of Man (1615)

    Google Scholar 

  92. David Hillman, Shakespeare’s Entrails: Belief, Scepticism and the Interior of the Body (Basingstoke: Palgrave Macmillan, 2007).

    Google Scholar 

  93. Elias, The History of Manners, vol. I, The Civilizing Process, trans. Edmond Jephcott (New York: Pantheon Books, 1978).

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Copyright information

© 2014 Lisa S. Starks-Estes

About this chapter

Cite this chapter

Starks-Estes, L.S. (2014). Introduction. In: Violence, Trauma, and Virtus in Shakespeare’s Roman Poems and Plays. Palgrave Macmillan, London. https://doi.org/10.1057/9781137349927_1

Download citation

Publish with us

Policies and ethics