Abstract
Transnational cultural production is often associated with processes of exchange, mobility and contact that redefine the way we think about location, subjectivity and social praxis. In what follows, I explore how performance, frequently theorized as an embodied, localized event, engages transnational spaces. Using theories of space, embodied agency and new media, I show how performances created to address conditions of marginalization and violence invigorate arguments about the central role of symbolic behaviour and spatial production in late capitalism. Which sites do artists choose and/or reclaim in order to address transnational issues? How do artists challenge previous notions of performance as an in situ event? In what way do transnational performances redefine the terms of interaction between bodies and state power at different geographical scales?
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Notes
Rita Raley, Tactical Media (Minneapolis, MN: University of Minnesota Press, 2009), 6.
Doris Sommer, ed., Cultural Agency in the Americas (Durham, NC: Duke University Press, 2006), 20.
Mary Pratt defines ‘contact zones’ as ‘the social spaces where cultures meet, clash and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths.’ (‘Arts of the Contact Zone’, Profession 91 (New York: MLA, 1991)), 33–40.
Neil Smith, ‘Contours of Spatialized Politics: Homeless Vehicles and the Production of Geographical Scale’, Social Text 33 (1992), 54–81. Smith’s approach to geographical scale as ‘the criterion of difference not between places so much as between different kinds of places’ is his contribution to the discussion about space as socially produced (‘Contours’, 64.) The work of Henri Lefebvre, Edward Soja, Michel Foucault, Frederic Jameson and David Harvey is central to this discussion.
Erik Swyngedouw, ‘Scaled Geographies: Nature, Place, and the Politics of Scale’, in Scale and Geographic Inquiry: Nature, Society, and Method, ed. Eric Sheppard and Robert B. McMaster (Malden: Blackwell, 2004), 16.
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© 2013 Marcela A. Fuentes
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Fuentes, M.A. (2013). Zooming In and Out: Tactical Media Performance in Transnational Contexts. In: Lichtenfels, P., Rouse, J. (eds) Performance, Politics and Activism. Studies in International Performance. Palgrave Macmillan, London. https://doi.org/10.1057/9781137341051_3
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DOI: https://doi.org/10.1057/9781137341051_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-32635-8
Online ISBN: 978-1-137-34105-1
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