Abstract
In his introduction to The Dialectics of Our America: Genealogy, Cultural Critique, and Literary History, José David Saldívar highlights a configuration of America first suggested by José Martí. A Cuban poet and long-standing supporter of Cuba’s independence from Spain, Martí organized the revolution while living in New York and posited the existence of two distinct Americas that he labeled “Nuestra América” and “European America.” While this organization of the continent addresses the linguistic trend to reduce America to the United States, it is more important a response to the political history shared by the United States and Latin America as well as a move to frame this history as oppressive and problematic.
[Carnival] discloses the potentiality of an entirely different world, of another order, another way of life. It leads man out of the confines of the apparent (false) unity, of the indisputable and stable.
—Mikhail Bakhtin, Rabelais and His World
If you want to mirror reality, get a camera. If you want to make someone understand reality … You have to distort things … Tell it as it is for you and you alone.
— Touré, “Solomon’s Big Day”
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Notes
José David Saldívar, The Dialectics of Our America: Genealogy, Cultural Critique, and Literary History (Durham, NC: Duke University Press, 1991), 11.
Wendy Faris, Ordinary Enchantments: Magical Realism and the Remystification of Narrative (Nashville: Vanderbilt University Press, 2004), 34.
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David K. Danow, The Spirit of Carnival: Magical Realism and the Grotesque (Lexington, KY: University Press of Kentucky, 1995), 41.
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Neil Schmitz, “Neo-HooDoo: The Experimental Fiction of Ishmael Reed,” Twentieth Century Literature 20, no. 2 (1974): 135.
Evelyn Fishburn, “Humor and Magical Realism in El reino de este mundo,” in A Companion to Magical Realism, ed. Stephen M. Hart and Wen-chin Ouyang (Woodbridge, Suffolk, England: Tamesis, 2005), 156.
Susan L. Blake , “Ritual and Rationalization: Black Folklore in the Works of Ralph Ellison,” PMLA 94, no. 1 (1979): 121–36.
Ralph Ellison, “A Coupla Scalped Indians,” in The Jazz Fiction Anthology, ed. Sasha Feinstein and David Rife (Bloomington, IN: Indiana University Press), 184.
Toni Morrison, Song of Solomon (New York: Plume, 1987), 208.
Ntozake Shange, Sassafrass, Cypress & Indigo (New York: Picador, 1982), 22.
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© 2013 Lyn Di Iorio Sandín and Richard Perez
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Francis, A.J. (2013). Searching for Rhythm and Freedom. In: Di Iorio Sandín, L., Perez, R. (eds) Moments of Magical Realism in US Ethnic Literatures. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137329240_6
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DOI: https://doi.org/10.1057/9781137329240_6
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