Abstract
If “all nationalisms are gendered” (McClintock, 1993: 61), the Mother Ireland trope merely indicates the operation of a fundamental structuring principle recognizable in both official and insurgent nationalisms. It is one instance of the structural interdependence of gender and national identities. “The hegemonic process of constructing a nationalist ideology depends upon distinguishing between self and other, us and them, in the creation of a common (shared) identity; women as symbol, men as agents of the nation, colonized space as feminine, colonial power as masculine” (Feldman, 1999: 177-178). Miroslav Hroch argued in the 1990s with regard to resurgent European nationalisms and to nineteenth-century nationalisms that:
Identification with the national group … includes … the construction of a personalized image of the nation. The glorious past of this personality comes to be lived as part of the individual memory of each citizen, its defeats resented as failures that still touch them. One result of such personalization is that people will regard their nation—that is, themselves—as a single body in a more than metaphorical sense. If any distress befalls a small part of the nation, it can be felt throughout it, and if any branch of the ethnic group—even one living far from the “mother-nation”—is threatened with assimilation, the members of the personalized nation may treat it as an amputation of the national body. (Hroch, 1993: 15)
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Cassidy, James F. (1933) The Old Love of the Blessed Virgin Mary, Queen of Ireland. Dublin: Gill.
Cheng, Vincent (2004) Inauthentic: The Anxiety over Culture and Identity. New Brunswick, New Jersey, and London: Rutgers University Press.
Cronin, Michael (2007) “‘Is it for the glamour?’: Masculinity, Nationhood and Amateurism in Contemporary Representations of the Gaelic Athletic Association,” in Postmodernism and Irish Popular Culture, (eds.) Wanda Balzano, Anne Mulhall, Moynagh Sullivan. Palgrave Macmillan.
Deane, Seamus (2005) “Edward Said (1935–2003): A Late Style of Humanism.” Field Day Review, 1(1): 189–202, Spring.
Dyer, Richard (1997) White. London, New York: Routledge.
Fanning, Bryan (2002) Racism and Social Change in the Republic of Ireland. Manchester and New York: Manchester University Press.
Feldman, Shelley (1999) “Feminist Interruptions: The Silence of East Bengal in the Story of Partition.” Interventions: International Journal of Postcolonial Studies, 1 (2): 167–82.
Gibbons, Luke (1996) Transformations in Irish Culture. Cork: Cork University Press.
— (2004) “Engendering the Sublime: Margaret Corcoran’s An Enquiry.” Circa, 107: 32–38, Spring.
Graham, Colin (2001) Deconstructing Ireland: Identity, Theory, Culture. Edinburgh: Edinburgh University Press.
Harrison, Patricia (1945) “Letter to the Editor.” The Bell (August): 446.
Hroch, Miroslav (1993) “From National Movement to the Fully Formed Nation: The Nation-Building Process in Europe.” New Left Review, 198 (March/April): 15.
Ignatieve, Noel (1997) How the Irish Became White. New York and London: Routledge.
Iremonger, Valentin (1945) “The Poems of Freda Laughton.” The Bell, 9 (4) (January): 249–250.
Kiberd, Declan (2005) The Irish Writer and the World. Cambridge: Cambridge University Press.
Kristeva, Julia (1986) “Stabat Mater,” in Toril Moi (ed.), The Kristeva Reader. Oxford: Blackwell.
Laughton, Freda (1944) “When You Were With Me.” The Bell, (August): 287.
— (1945) “The Woman with Child.” The Bell, 9 (4) (January): 289.
Lentin, Ronit (2005) “Black Bodies and Headless Hookers: Alternative Global Narratives for 21st Century Ireland.” Irish Review, 33: 1–12, Spring.
McClintock, Anne (1993) “Family Feuds: Gender, Nationalism and the Family.” Feminist Review, 44: 61–79, Summer.
Negra, Diane, ed. (2006) The Irish in US. Durham, NC: Duke University Press.
O’Horan, Eily (1948) “The Rustle of Spring.” The Bell, 13 (5) (February): 28–39.
O’Reilly, Sean (2004) The Swing of Things. London: Faber.
Smith, Sarah (2005) “Ireland in the 1940s and 1950s: The Photographs of Bert Hardy.” Field Day Review, 1: 133–156.
Turpin John (2003) “Visual Marianism and National Identity in Ireland: 1920–1960,” in Tricia Cusack and Sighle Bhreathnach-Lynch (eds), Art, Nation and Gender: Ethnic Landscapes, Myths and Mother-Figures. Aldershot, Hampshire; Burlington VT: Ashgate.
Watson, Peggy (1993) “The Rise of Masculinism in Eastern Europe.” New Left Review, 198 (March/April): 75.
Yeats, W. B. (1905) Samhain: An Occasional Review. Maunsel and Co. and AH Bullen, November.
Editor information
Copyright information
© 2013 Noreen Giffney and Margrit Shildrick
About this chapter
Cite this chapter
Meaney, G. (2013). Race, Sex, and Nation: Virgin Mother Ireland. In: Giffney, N., Shildrick, M. (eds) Theory on the Edge. Breaking Feminist Waves. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137315472_10
Download citation
DOI: https://doi.org/10.1057/9781137315472_10
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-45533-1
Online ISBN: 978-1-137-31547-2
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)