Abstract
The beginnings of Argentine cinema date back to 1897, when representatives of the Lumière brothers screened their early moving pictures to audiences in the capital, Buenos Aires. Before long a local industry began to develop, but it was profoundly male-dominated and records reveal that only two women made silent films, Emilia Saleny (La niña del bosque/The Girl from the Wood, and Clarita, both made in 1919); and María Celestini (Mi derecho/My Right, 1920). Unfortunately, there are no surviving prints of any of these films.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Similar content being viewed by others
References
Aguilar, Gonzalo. 2008. New Argentine Film: Other Worlds. New York: Palgrave Macmillan.
Andermann, Jens. 2012. New Argentine Cinema. London and New York: I. B.Tauris.
King, John, Sheila Whittaker, and Rosa Bosch (eds). 2001. An Argentine Passion: The Films of María Luisa Bemberg. London: Verso.
Editor information
Editors and Affiliations
Copyright information
© 2015 Linda Craig and Felipe Pruneda Sentíes
About this chapter
Cite this chapter
Craig, L., Sentíes, F.P. (2015). Argentina. In: Nelmes, J., Selbo, J. (eds) Women Screenwriters. Palgrave Macmillan, London. https://doi.org/10.1057/9781137312372_49
Download citation
DOI: https://doi.org/10.1057/9781137312372_49
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-31236-5
Online ISBN: 978-1-137-31237-2
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)