Abstract
This overview will explore the role of the female screenwriter or scénariste in France, from the silent period to today, when the proportion of female to male screenwriters is one of the highest in the world.1
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Attali, D. 1999. ‘La Bûche: tranches de vie’, Journal du dimanche, 21 November.
Audé, F. 1990. Ciné-modèles cinéma d’elles: Situations de femmes dans le cinéma français 1956–1979. France: Editions l’Age d’Homme.
Audé, F. 2002. Cinéma d’elles, 1981–2001. Lausanne: L’Age d’homme.
Baignères, C. 1999. ‘Eblouissant’, Le Figaro, 25 November.
Barnett, E. 2009. ‘Le code a changé, comédie sociale dans l’une de ses configurations préférées: autour d’une table’, Les Inrocks, 13 February.
Binh, N. T., C. Rihoit, and F. Sojcher. 2012. L’Art du scénario. Paris: Archimbaud/Klincksieck.
Bonitzer, P. 2001. ‘Une méthode de non-travail’, 169, in Hélène Frappat, Jacques Rivette: secret compris. Paris: Cahiers du cinéma.
Bonnaud, F. 2001. ‘La Bûche’, Les Inrocks, 1 January.
Breton, E. 1993. Femmes d’images. Paris: Messidor.
Buet, J. 1995. Films des femmes: six générations de réalisatrices. Paris: Alternatives.
Burch, N., and G. Sellier. 1996. La Drôle de guerre des sexes du cinéma français (1930–1956). Paris: Nathan.
Cairns, L. 1998. ‘Gazon Maudit: French National and Sexual Identities’, French Cultural Studies, 9 (2): 225–37.
Cazals, P. 1978. Musidora, le dixième muse. France: Editions Henri Veyrier.
Chou, D. 2005. ‘Palais royal’, Film de culte website. Available at: http://archive.filmdeculte.com/film/film.php?id=1327 (accessed 22 May 2013).
Ciné-Tamaris Archive. n.d. Dossiers, La Pointe Courte, L’Opéra-Mouffe, Les Glaneurs et la glaneuse, Les Plages d’Agnès, Agnès de ci de là Varda. Paris.
Curchod, O. 1990. ‘Review of Le Bal du gouverneur’, Positif, 350 (68).
De Baecque, A., and S. Toubiana. 2001. François Truffaut (revised edition). Paris: Gallimard.
De Bruyn, O. 2012. ‘Interview with Valérie Lemercier: “les choses drôles ne m’amusent pas”’, 15 June. Available at: http://www.evene.fr/cinema/actualite/valerie-lemercier-les-choses-droles-ne-m-amusent-pas-adieu-berth-1023368.php (accessed 12 January 2013).
De Givray, C. 2001. ‘Chère Suzanne’, Synopsis, 15, September–October, p. 86.
De Gregorio, Eduardo (2001), ‘Suzanne Schiffman’, in Cahiers du cinéma 559, juillet-août, p. 21.
Eisenreich, P. 2002. ‘Review of Comme un avion’, Positif, 492 (50).
Erickson, S. 2003. ‘Body of Work; Marina de Van Discusses “In My Skin”’, Indiewire, 6 November. Available at: http://www.indiewire.com/article/body_of_work_marina_de_van_discusses_in_my_skin (accessed 15 May 2015).
Fieschi, J. 1985. ‘Interview with Françoise Sagan’, Cinématographe, February.
Flitterman-Lewis, S. 1996. To Desire Differently: Feminism and the French Cinema. USA: Columbia University Press.
Flock, J. 1999. ‘Jacqueline Audry, adaptrice de Colette: le desir feminin au premier plan’, Iris, 26: 49–64.
Ford, C. 1968. Germaine Dulac: 1882–1942. Paris: Avant-Scène du Cinéma.
Géliot, C. 2008. ‘Le Casting royal de Danièle Thompson’, Le Figaro, 26 April.
Grenier, A. 1994. Génération Père Noel: du Splendid à la gloire. Paris: Belfond.
Gruault, J. 1992. Ce que dit l’autre. Paris: Julliard.
Gruault, J. 2001. ‘Suzanne Schiffman’, Cahiers du cinéma, 559 (juillet-août): 20–1.
Guichard, L. 2008. ‘Cliente’, Télérama, 1 October.
Harrod, M. 2012. ‘The Réalisatrice and the rom-com in the 2000s’, Studies in French Cinema, 12 (3): 227–40.
Harrod, M. 2013. ‘La Bûche’, in T. Palmer and C. Michael (eds) The Directory of World Cinema: France. Bristol: Intellect.
Hayward, S. 1998. ‘“Hardly Grazing”: Josiane Balasko’s Gazon Maudit (1995), the mise en texte and mise-en-scène of Sexuality/ies’, in O. Heathcote, A. Hughes and J. Williams (eds) Gay Signatures. Oxford: Berg.
Hayward, S. 2006. Cinema Studies: The Key Concepts, 3rd edition. London: Routledge.
Ince, K. 2008. From Minor to “Major” Cinema? Women and Feminist Cinema in France, Indiewire. Available at: http://www.indiewire.com/article/body_of_work_marina_de_van_discusses_in_my_skin (accessed 19 July 2013).
Jousse, T. 1995. ‘Rencontre avec Josiane Balasko’, Cahiers du cinéma, 489: 62–3.
King, G. 2002. Film Comedy. London: Wallflower.
Lalanne, J. M. 2005. ‘Champagne Lemercier’, Inrockuptibles, 23 November.
Leahy, S. 2012. ‘“A la place de l’autre…”: Otherness, Gender and Nation in Two Films by Agnès Jaoui’, Studies in French Cinema, 12 (3): 215–26.
Liandrat-Guigues, S., and J. L. Leutrat. 2006. ‘Alain Resnais: Liaisons secrètes, accords vagabonds’, Cahiers du Cinéma. Available at: http://www.cahiersducinema.com/Alain-Resnais. html (accessed 15 May 2015).
Libiot, E. 2013. ‘Des Gens qui s’embrassent… mauvaise haleine’, L’Express, 10 April.
Losfeld, E. 1967. ‘Nous ne pensons qu’à Marie-France Pisier’. Interview with Marie-France Pisier, Positif, 86: 65–71.
Mazdon, L. 2000. Encore Hollywood: Remaking French Cinema. London: British Film Institute.
McKernan, L. n.d. Who’s Who of Victorian Cinema. Available at: http://www.victorian-cinema.net/guy.php (accessed 1 February 2013).
McMahan, A. 2002. Alice Guy Blaché: Lost Visionary of the Cinema. London: Continuum.
Merle, P. 1985. Le Café theatre. Paris: Presses Universitaires de France.
Moine, R. 2007. Remakes: Le Film français à Hollywood. Paris: CNRS Editions.
Moullet, L. 1994. ‘Le néo-irréalisme français’, Cahiers du cinéma, 475: 48–9.
Musidora. 1943. Recorded in P. Cazals, Musidora, le dixième muse, film, 2014.
Naficy, H. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton and Oxford: Princeton University Press.
Neale, S. 1992. ‘The Big Romance or Something Wild?: Romantic Comedy Today’, Screen, 33 (3).
Nelmes, J. 2007. ‘Some Thoughts on Analysing the Screenplay: the Process of Screenplay Writing and the Balance between Craft and Creativity’, Journal of Media Practice, 8 (2): 107–13.
Nettlebeck, C. 2008. ‘Regardez-moi: Theatre, Performance and Directorship in the Films of Agnès Jaoui’, Australian Journal of French Studies, 45 (1): pp. 3–15.
Neupert, R. 2002. A History of the French New Wave Cinema. Wisconsin: University of Wiscons in Press.
Odicino, G. 2013. ‘Des gens qui s’embrassent’, Télérama, 10 April.
Ogier, B. 2001. ‘On ne pouvait pas aller plus loin’, 140, in Hélène Frappat, Jacques Rivette: secret compris. Paris: Cahiers du cinéma.
Oumana, E. 2010. Cinema Today: A Conversation with 39 Filmmakers from Around the World. Piscataway, NJ: Rutgers University Press.
Pagès, E. 1980. ‘Interview with François Truffaut and Suzanne Schiffman: “Féminin present”’, TF1, 30 September. Available at: http://www.ina.fr/video/I00012939/francois-truffaut-etson-assistante-suzanne-schiffman-video.html (accessed 15 May 2015).
Païni, D. ed (2014) Mais qui est-ce Monsieur Langlois ? Le musée imaginaire d’Henri Langlois, Cinémathèque française/Flammarion.
Palmer, T. 2006. ‘Style and Sensation in the Contemporary French Cinema of the Body’, Journal of Film and Video, 58 (3): 22.
Palmer, T. 2007. ‘Under Your Skin: Marina de Van and the Contemporary French cinéma du corps’, Studies in French Cinema, 6 (3): 171–81.
Palmer, T. 2010. ‘Don’t Look Back: An interview with Marina de Van’, The French Review, 83 (5): 1056–63.
Palmer, T. 2012. ‘Crashing the Millionaires’ Club: Popular Women’s Cinema in Twenty-first Century France’, Studies in French Cinema, 12 (3): 201–14.
Pinel, V. 1994. Le Siècle du cinema. France: Editions Bordas.
Pion-Dumas, L., and L. Delmas. 1995. ‘Danièle Thompson, les secrets de famille’, Synopsis, 5, Winter.
Pisier, Marie-France. 1976. ‘Marie-France Pisier: une comedienne’, Le Cinéma français, 7: 38–40.
Pradel, R. n.d. ‘Les scénaristes’. CinémaAction/Editions Charles Corlet.
Price, S. 2010. The Screenplay: Authorship, Theory and Criticism. London: Palgrave.
Protat, Z. 2009. ‘“Bonjour tendresse” Ouvrage Recensé: Parlez-moi de la pluie d’Agnès Jaoui, Ciné-bulles, 27 (2): 30–1. Available at: http://id.erudit.org/iderudit/33353ac (accessed 4 January 2014).
Rollet, B. 1997. ‘Two Women Filmmakers Speak Out: Serreau and Balasko and the Inheritance from May 1968’, in S. Perry and M. Cross (eds) Voices of France. London: Pinter, pp. 100–13.
Rollet, B. 1998. Coline Serreau. Manchester: Manchester University Press.
Rollet, B. 1999. ‘Femmes cinéastes en France: l’après-mai 68’. Available at: http://clio.revues.org/266 (accessed 15 May 2015).
Rollet, B. 1999. ‘Unruly Woman? Josiane Balasko, French Comedy and Gazon maudit’, in P. Powrie (ed.) French Cinema in the 1990s: Continuity and Change. Oxford: Oxford University Press, pp. 127–36.
Rollet, B. 2008. ‘Transatlantic Exchanges and Influences: Décalage horaire (Jetlag) Gender and the Romantic Comedy à la française’, in S. Abbot and D. Jermyn (eds) Falling in Love Again: the Romantic Comedy in Contemporary Cinema. London: Tauris, pp. 92–104.
Rosello, M. 2010. ‘Tremblements universalistes: Parlez-moi de la pluie d’Agnès Jaoui’, Contemporary French and Francophone Studies, 14 (5): 533–41.
Rowe, K. 1995. The Unruly Woman: Gender and the Genres of Laughter. Austin: University of Texas Press.
Royer. P. 1999. ‘La reine Thompson et sa Bûche de Noël’, La Croix, 26 November.
Schiffman, S. 1984. ‘Au coeur de la méthode’, Cahiers du cinema, 366 (special issue on François Truffaut): 76–82.
Schiffman, S. 2001. ‘On a suivi la graphique…’, 142–3, in Hélène Frappat, Jacques Rivette: secret compris. Paris: Cahiers du cinéma.
Séguret, O. 1999. ‘Le Derrière est culotté’, Libération, 28 April.
Sellier, G. 1997. ‘La Nouvelle vague, un cinéma à la première personne du masculin singulier’, Iris, 24 (Autumn).
Sellier, G. 2008. Masculine Singular: French New Wave Cinema, translated by Kristin Ross. US: Duke University Press.
Strauss F. 1995. ‘L’empire des sens’, Cahiers du cinéma, 489: 60.
Tarr, C., with B. Rollet. 2001. French Cinema and the Second Sex. London: Continuum.
Tesson, C. 2002. ‘Comme un Avion’, Cahiers du cinéma, 564: 86–7.
Thomas, F. 1989. L’Atelier d’Alain Resnais. France: Flammarion.
Thompson, D. 2005. ‘Interview de la réalisatrice et du co-scénariste’, StudioCanal.
Tierchant, H. 2014. Musidora, la première vamp. France: Editions: Telemaque.
Török, J. P. 1986. Le Scénario. Paris: Artifact/Henri Veyrier.
Török, J. P., and B. Cohn. 1964. ‘Entretien avec Nina Companeez et Michel Deville’, Positif, 58.
Toumarkine, D. 2005. ‘Look at Her! Agnès Jaoui Directs Another Stylish Ensemble Tale’, Film Journal International, 108 (4): 22, 24.
Truffaut, F. 1976. ‘A Certain Tendency of the French Cinema’, in B. Nichols (ed.) Movies and Methods. Berkeley: University of California Press, pp. 224–37. Origninally published as ‘Une certain tendance du cinéma français’, Cahiers du cinéma, 31 (January 1954): 15–29.
Tulard, J. 1997. Dictionnaire du Cinéma: Les Réalisateurs. Paris: Laffont.
Varda, A. 1994. Varda par Agnès. Paris: Cahiers du cinema/Ciné-Tamaris.
Vasse, C. 2009. ‘Ne te retourne pas (Don’t Look Back)–Dossier de Presse (Press kit)’. Paris: Wild Bunch.
Ventura, M. 2012. ‘Letters at 3 A.M’, Austin Chronicle, Texas.
Vidal, B. 2012. Figuring the Past: Period Film and the Mannerist Aesthetic. Amsterdam: Amsterdam University Press.
Vincendeau, G. (ed.). 1995. Encyclopedia of European Cinema. London: Continuuum.
Vincendeau, G. 2010. ‘The Rise and Rise of French Women Filmmakers: Victory for Feminism or French Exception?’ Paper delivered at Women’s Filmmaking in France 2000–2010, Institute of Germanic and Romance Studies, London, 4 December.
Virmaux, A., O. Virmaux, and A. Brunet, A. 2004. Colette et le cinema. France: Fayard.
Von Kassel Siambani, E. 2013. ‘Le groupe des Trente: the Poetic Tradition’, in B. Winston (ed.) BFI Documentary Film Book. London: BFI/Palgrave.
Waldron, D. 2001. ‘Fluidity of Gender and Sexuality in Gazon maudit’, in L. Mazdon (ed.) France on Film. London: Wallflower, pp. 65–80.
Waldron, D. 2006. ‘New Clothes for Temporary Transvestites? Sexuality, Cross-dressing and Passing in the Contemporary French Film Comedy’, Modern and Contemporary France, 14 (3): 347–61.
Wright, B. 1974. The Long View. London: Secker and Warburg.
Editor information
Editors and Affiliations
Copyright information
© 2015 Kelley Conway, Kath Dooley, Mary Harrod, Susan Hayward, Florence Martin, Jule Selbo, Alison Smith, Isabelle Vanderschelden and Elena Von Kassel Siambani
About this chapter
Cite this chapter
Conway, K. et al. (2015). France. In: Nelmes, J., Selbo, J. (eds) Women Screenwriters. Palgrave Macmillan, London. https://doi.org/10.1057/9781137312372_28
Download citation
DOI: https://doi.org/10.1057/9781137312372_28
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-31236-5
Online ISBN: 978-1-137-31237-2
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)