Abstract
The importance of the trench newspapers as mediators of the zones of war and as an outlet of the oral culture of the trench is well exemplified in their roles as rumour sheets and grassroots chroniclers of the conflict. Contemporaneous evidence for oral cultures is difficult to obtain except by direct or tangential documentary references and allusions. Even where such evidence can be obtained, it is often difficult to contextualise it adequately within social groupings and circumstances that have long disintegrated and faded into ‘history.’ In the case of the Great War soldiers’ experiences, the trench press provides almost unparalleled evidence of the oral culture of that time and place. Gossip, rumour and the circumstances in which they originated and evolved are conveniently provided in dated and located evidence produced by, for and about those to whom such communications were vital. Those things that the trench soldiers desperately wanted to know reveal a great deal about their concerns, attitudes and dreams.
I like your paper, but why print on it?
‘Private Trots’ responds to the first issue of Beach Rumours, January 1916
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Allport, Floyd H. and Postman, Leo, The Psychology of Rumour, Russell & Russell, New York, 1947
Fine, Gary Alan, Campion-Vincent, Véronique, and Heath, Chip (eds.), Rumor Mills: the Social Impact of Rumor and Legend, Transaction Publishers, New York, 2005.
Degh, L. and Vazsonyi, A., ‘The Hypothesis of Multi-Conduit Transmission in Folklore,’ in Ben-Amos, Dan and Goldstein, Kenneth S. (eds.), Folklore: Performance and Communication, Mouton, The Hague, 1975, pp. 207–54.
See Sanders, M. L. and Taylor, P. M., British Propaganda During World War I, 1914–1918, Macmillan, London, 1982, pp. 156–7.
Fussell, P., The Great War and Modern Memory, Oxford University Press, Oxford, 1975, pp. 117–20.
Graves, R., Goodbye To All That, 1929, p. 182ff.
Montague, C. E., Disenchantment, MacGibbon & Kee, London, 1968.
Bean, June 7, 1915, in K. Fewster (ed.), Gallipoli Correspondent: The Frontline Diary of C E W Bean, Unwin Hyman, Sydney, 1983, p. 126.
See Winter, Jay, Sites of Memory, Sites of Mourning: the Great War in European Cultural History, Cambridge University Press, Cambridge, 1995.
Alex King, Memorials of the Great War in Britain: The Symbolism and Politics of Remembrance, Berg, Oxford, 1998
Bart Ziino, A Distant Grief: Australian War Graves and the Great War, University of Western Australia Press, Crawley, Western Australia, 2007, for study of the Australian situation in this regard.
David A Kent, ‘The Anzac book and the Anzac legend: C. E. W. Bean as editor and image-maker,’ Australian Historical Studies, vol. 21, no.x84, April 1985, pp. 376–90.
Author information
Authors and Affiliations
Copyright information
© 2013 Graham Seal
About this chapter
Cite this chapter
Seal, G. (2013). Things We Want to Know. In: The Soldiers’ Press. Palgrave Macmillan, London. https://doi.org/10.1057/9781137303264_4
Download citation
DOI: https://doi.org/10.1057/9781137303264_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-67161-8
Online ISBN: 978-1-137-30326-4
eBook Packages: Palgrave History CollectionHistory (R0)