Abstract
This chapter focuses on three artists: C. R. W. Nevinson (1889–1946); Eric Henri Kennington (1888–1960) and Charles Sargeant Jagger (1885– 1934). They were roughly the same age and came from a similar professional middle-class background: Nevinson’s father was the highly regarded journalist, war correspondent and essayist Henry W. Nevinson (1856–1941);1 Kennington’s father was the portraitist and vice president of the Royal Institute of Oil Painters, Thomas Benjamin Kennington (1856–1916);2 while Jagger’s father, Enoch (died 1909), was a well-qualified mining engineer who ran a colliery in South Yorkshire.3
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Notes
Angela V. John, War, Journalism and the Shaping of the Twentieth Century: The Life and Times of Henry W. Nevinson ( London: I. B. Tauris, 2006 ).
Jonathan Black, The Graphic Art ofEricKennington ( London: UCL Press, 2001 ), p. 55.
Ann Compton, The Sculpture of Charles Sargeant Jagger ( Aldershot: Lund Humphries, 2004 ), p. 12.
M. J. K. Walsh, C. R. W. Nevinson: This Cult of Violence ( New Haven: Yale University Press, 2002 ), pp. 94–134.
John Lewis-Stempel, Six Weeks: The Short and Gallant Life of the British Officer in the First World War ( London: Orion, 2011 ), pp. 141–42.
Peter Matthews, London’s Statues and Monuments ( Oxford: Shire, 2012 ), p. 165.
Elizabeth Knowles and Ian Jeffrey, C. R. W. Nevinson: Retrospective Exhibition ( Cambridge: Kettle’s Yard, 1988 ), p. 22.
M. J. K. Walsh, Hanging a Rebel: The Life of C. R. W. Nevinson ( Cambridge: Lutterworth Press, 2008 ), p. 180.
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© 2015 Jonathan Black
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Black, J. (2015). Reading Behind the Lines: War Artists, War Poets, Reading and Letter Writing, 1917–1919. In: Towheed, S., King, E.G.C. (eds) Reading and the First World War. New Directions in Book History. Palgrave Macmillan, London. https://doi.org/10.1057/9781137302717_10
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DOI: https://doi.org/10.1057/9781137302717_10
Publisher Name: Palgrave Macmillan, London
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