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Gothic Weddings and Performing Vampires: Geneviève Ward and The Lady of the Shroud

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Bram Stoker, Dracula and the Victorian Gothic Stage

Part of the book series: The Palgrave Gothic Series ((PAGO))

Abstract

In Personal Reminiscences, Stoker relates the marital adventure of the American actress-manager Geneviève Ward. ‘Whilst a very young girl’, Ward had married the Comte de Guerbel in a civil ceremony in Nice in 1855 (1906, vol. 2: 170). Her husband argued that, according to Russian law, the union was not legal until another ceremony was performed in a Russian Orthodox church. After the Nice nuptials, de Guerbel had promised to solemnize the union in the Russian church in Paris. However, the Comte was not, notes Stoker, ‘of chivalrous nature’ and ‘in time his fancy veered round to some other quarter, and he declared by a trick of Russian law which does not acknowledge the marriage of a Russian until the ceremony in the Russian church has been performed, the marriage which had taken place was not legal’ (1906, vol. 2: 170–1). After waiting several months and on the discovery that de Guerbel was making marriage preparations with a Russian heiress, the well-connected Wards decided to take action.1 The rejected bride and her mother subsequently travelled to St Petersburg to petition the Tsar who, at Ward’s request, commanded de Guerbel to solemnize the marriage in Warsaw.2

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Notes

  1. Ward, born into a prominent New York family, was a granddaughter of Gideon Lee. (Lee (1778–1841) was Mayor of New York City from 1883 to 1884 and a member of Congress from 1835.) As a teenager Ward undertook the European tour with her mother (Ward and Whiteing, 1918: 3).

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  2. The Wards stayed with a distant relative, the American Minister, Governor Seymour. He helped them draft the petition to the Tsar (Ward and Whiteing, 1918: 12–13).

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  3. Stoker describes it as ‘a machine-made play of the old school’ (1906, vol. 2: 167).

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  4. In a letter from Manchester dated 29 June 1876 Ward writes that she is happy that Madame Roland inspires Stoker and asks him to visit her the following month in Paris and that they could research the topic together. She asks him how long it will take him to write a play on Roland. In the final letter of the sequence, dated 23 September 1876, Ward writes to Stoker to say that she is returning to Paris from London and will spend the winter there. She fears that one of her letters to him might have gone astray as he does not mention her plans in his letter to her. She invites him to Paris (Stoker Correspondence). Stoker was certainly in Paris in November 1876. In Personal Reminiscences he describes how he went to see Sarah Bernhardt perform at the Théâtre Français in Paris on 9 November 1876 (1906, vol. 2: 162). In Ward’s letter of 27 July 1875, she notes that she had been reading Deux Femmes de la Révolution. This probably refers to Charles de Mazade’s 1866 publication in which he describes Madame Roland as ‘une de plus nobles personifications de la race humaine’ (1866: 97).

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  5. Lucy dies before she can marry Arthur Holmwood in Dracula; in The Snake’s Pass Norah Joyce is sent to finishing school.

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  6. On syphilis, see Showalter (1992: 188–200).

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  7. For example, see Norah Joyce in The Snake’s Pass (1890) and Marjorie Drake in The Mystery of the Sea (1902).

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  8. Richards argues that the delayed sexual union marks Stoker’s enactment of the ‘drama of sexual repression’ (1995: 153).

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  9. Though the play was originally attributed to Yeats it is now established as a collaborative work with Lady Gregory. See Grene (1999: 51, 273n.).

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  10. For Sage the political dimensions of the text are equally reactionary as ‘it restores Britain’s Imperial presence in Europe through creating a buffer-state, a Serb-led Balkan federation, which would deter German ambition in the south and east’ (1998: 132).

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  11. Barnes also claims that after the failure of Zillah he approached Merivale about Forget-Me-Not as a suitable play for Ward (1914: 98) although Barnes had no role in the play.

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© 2013 Catherine Wynne

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Wynne, C. (2013). Gothic Weddings and Performing Vampires: Geneviève Ward and The Lady of the Shroud. In: Bram Stoker, Dracula and the Victorian Gothic Stage. The Palgrave Gothic Series. Palgrave Macmillan, London. https://doi.org/10.1057/9781137298997_5

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