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Abstract

The ‘bullion controversy’ was a pamphlet debate about money, banking, and the standard of value prompted by the publication of the Report of the Select Committee on Bullion, better known as the Bullion Report, in June 1810 and lasting until the recommendations of that report were defeated in the House of Commons in May 1812.2 As the opening of The Bullion Debate: A Serio-Comic Poem (quoted above), published in 1811 by the Birmingham agricultural surveyor William Pitt, tells us, the bullion controversy involved an array of participants representing many theoretical and ideological perspectives.3 At least 800 pamphlets on the subject were published between 1797 and 1821, more than 100 between 1809 and 1812. Extend these dates to between 1790 and 1840 and the number is well over 1,000. Including articles, reviews, letters, speeches, and poems doubles it again to 2,000. Participants included bankers, accountants, merchants, lawyers, politicians, academics, and farmers. Some supported the suspension, others saw it as a catastrophe or had middling views. Many of their questions and concerns were practical in nature. Did a rise in the price of gold mean that money was ‘depreciated’? Did increases in banknotes cause inflation? But they also asked larger questions. How is the economy affected by war? How are paper and gold related? Is value determined by labor or desire? What about land? What is money anyway?

THE STANDARD

What must we for a standard own, By which the price of things are known? ’Twas thought, time past, by men of sense, ’Twas Guineas, Shillings, Pounds, and Pence; The Bank has said, and says so still, ’Tis nothing but a Paper Bill; ’Tis in Sir Francis Burdett’s head, The Standard is a Loaf of Bread, While Adam Smith did always say It was the Labour of a Day.1

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Notes

  1. William Pitt, The Bullion Controversy: A Serio-Comic Satiric Poem (London: Longman, 1811), 1.

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© 2013 Alexander Dick

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Dick, A. (2013). The Bullion Controversy. In: Romanticism and the Gold Standard. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. Palgrave Macmillan, London. https://doi.org/10.1057/9781137292926_2

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