Abstract
Grace Dalrymple Elliott’s Journal of my Life during the French Revolution, written around 1801–1802 and posthumously published in 1859, has not previously been discussed by literary scholars despite its intriguing blend of scandal and political history.’ The Journal is at once a self-vindication, a travel narrative, and a memoir of the French Revolution written from the perspective of a courtesan at the heart of events. Elliott’s sexual liaison with the pro-revolutionary, Louis-Philippe, Duke of Orléans shapes the narrative. She attempts to defend the Duke from the taint of regicide in a work that is a vindication of both self and other and writes back to rival histories of the period. She is also involved in a complex balancing act between proximity and distance, as the authority of her account rests on her intimate relationship to the Duke but her royalist identity is dependent on a lack of influence over her former lover. As a courtesan, Elliott appeared alongside Mary Robinson and Elizabeth Fox in the press and her Journal might therefore be included within the tradition of the scandalous memoir as part of a genre which seeks ‘to mend the public and rhetorical image’ of a woman’s character ‘through the revelation of the private’.2 However, the Journal does not address Elliott’s early life or sexual fall (other than in a preface written by her editor) and instead focuses solely on her experiences in France during the Revolution from July 1789.
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Notes
Grace Dalrymple Elliott has been the subject of a recent biography; Jo Manning, My Lady Scandalous: The Amazing Life and Outrageous Times of Grace Dalrymple Elliott, Royal Courtesan (New York: Simon and Schuster, 2005). She also makes a brief appearance in Katie Hickman, Courtesans (London: Harper Perennial, 2003).
Felicity Nussbaum, ‘Heteroclites: The Gender of Character in the Scandalous Memoirs’, in Felicity Nussbaum and Laura Brown (eds), The New Eighteenth Century: Theory, Politics, English Literature (New York: Methuen, 1987), 144–67 (167).
Caroline Breashears, ‘The Female Appeal Memoir: Genre and Female Literary Tradition in Eighteenth-Century England’, Modern Philology, 107.4 (2010), 607–31 (608).
G. Thomas Couser, Memoir: An Introduction (Oxford: Oxford University Press, 2012), 46.
Town and Country Magazine; or, Universal Repository of Knowledge, Instruction and Entertainment, August (1778), 345; Horace Bleackley, Ladies Fair and Frail: Sketches of the Demi-Monde during the Eighteenth Century (London: John Lane, 1909), 217.
Robin Eagles, Francophilia in English Society, 1748–1815 (Basingstoke: Palgrave, 2000), 11.
Grace Dalrymple Elliott, Journal of my Life during the French Revolution (London: Richard Bentley, 1859), ix-x. In this section, further references to the Journal are given after quotations in the text.
Ida Macalpine and Richard Hunter, ‘The “Insanity” of King George III: A Classic Case of Porphyria’, in Porphyria - A Royal Malady (London: British Medical Association, 1968), 1–16 (10).
Hugh Farmar, A Regency Elopement (London: Michael Joseph, 1969), 21.
Margaret J. M. Ezell, Writing Women’s Literary History (Baltimore: Johns Hopkins University Press, 1993), 106.
George Rudé, The French Revolution (London: Weidenfeld and Nicolson, 1988), 54–7.
See Vivien Jones for a discussion of Wollstonecraft’s representation of the Duke as an ‘archetypal sexual villain’ in An Historical and Moral View. Vivien Jones, ‘Women Writing Revolution: Narratives of History and Sexuality in Wollstonecraft and Williams’, in Stephen Copley and John Whale (eds), Beyond Romanticism: New Approaches to Texts and Contexts 1780–1832 (London: Routledge, 1992), 178–99 (185).
Mark Salber Phillips, Society and Sentiment: Genres of Historical Writing in Britain, 1740–1820 (Princeton: Princeton University Press, 2000), 160.
Faith E. Beasley, ‘Memoir’, in Mary Spongberg, Barbara Caine, and Ann Curthoys (eds), Companion to Women’s Historical Writing (Basingstoke: Palgrave, 2005), 332–4.
See Mary Spongberg, ‘The Ghost of Marie Antoinette: A Prehistory of Victorian Royal Lives’, in Lynette Felber (ed.), Clio’s Daughters: British Women Making History, 1790–1899 (Newark: University of Delaware Press, 2007), 71–96.
Mary Wollstonecraft, An Historical and Moral View of the Origin and Progress of the French Revolution, in Janet Todd and Marilyn Butler (eds), The Works of Mary Wollstonecraft, 7 vols (London: Pickering and Chatto, 1989), vol. 6, 73–4.
Adriana Craciun, Fatal Women of Romanticism (Cambridge: Cambridge University Press, 2003), 80–1.
Edmund Burke, Reflections on the Revolution in France, J. G. A. Pocock (ed.) (Indianapolis: Hackett Publishing, 1987), 62.
Mary Wollstonecraft, The Collected Letters of Mary Wollstonecraft, Janet Todd (ed.) (London: Penguin Books, 2004), 217.
Mary Jacobus, Romanticism, Writing and Sexual Difference (Oxford: Clarendon Press, 1989), 36;éHelen Maria Williams, Letters from France 1790–96, Janet Todd (ed.), 2 vols (Delmar: Scholars’ Facsimiles & Reprints, 1975), I, 4, 11 and, for a similar reference, see Wollstonecraft, Historical and Moral View, 84; see also Steven Blakemore, Crisis in Representation: Thomas Paine, Mary Wollstonecraft, Helen Maria Williams, and the Rewriting of the French Revolution (Madison: Fairleigh Dickinson University Press, 1997), 172–3.
Lady Shelley, The Diary of Frances Lady Shelley 1787–1817, Richard Edgcumbe (ed.), 2 vols (London: John Murray, 1912), vol. 1, 42.
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© 2014 Amy Culley
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Culley, A. (2014). A Vindication of Self and Other. In: British Women’s Life Writing, 1760–1840. Palgrave Macmillan, London. https://doi.org/10.1057/9781137274229_15
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