Abstract
From 9:30 a.m. to 5:30 p.m. on August 10, 1920, Perry Bradford was in “a pleasant dream that came from heaven.”2 After walking “out two pairs of shoes,” “bow [ing] and scrap [ing] … with a perpetuallasting watermelon grin,”3 what to many was a preposterous fantasy had become a reality. Bradford’s peers did not believe that he could convince anyone in a racist music industry to record a black woman singing blues. Yet, he did. He convinced Fred Hager, the recording manager of Okeh Records, to “take a chance” on a “Negro girl.” Okeh reluctantly took that chance on a cold February 1920 morning when it recorded Mamie Smith singing “This Thing Called Love.” The success of this song paved the way for Bradford’s dreamlike August day. With “tears of gladness” in his eyes, he spent eight hours that day listening to Smith record “Crazy Blues.”4 This was the first time that blues was officially recorded. Within a month of its November release, Crazy Blues sold over 75,000 copies. Within a year, hundreds of thousands of copies were sold nationally. Pullman Car Porters unofficially boosted the sales of Smith’s record as they bought and then resold it in rural areas across the country. “You couldn’t walk down the street in a colored neighborhood and not hear that record. It was everywhere,” said Alberta Hunter.5
Now I’ve got the crazy blues
Since my baby went away.1
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Notes
Maime Smith, Complete Recorded Works volume 1, Document Records, DOCD-5357, 1995.
Perry Bradford, Born with the Blues (New York: Oak Publications Inc., 1965), 125.
Chris Albertson, Bessie, revised and expanded ed. (New Haven: Yale University Press, 2003), 24.
Giles Oakley, The Devil’s Music: A History of the Blues, 2nd ed., updated (London: Da Capo Press, 1997), 84.
Lawrence Levine “Phenomenal” Black Culture and Black Consciousness Afro-American Folk Thought from Slavery to Freedom, 30th anniversary ed. (New York: Oxford University Press, 2007), 225.
Richard Wright, 12 Million Black Voices (New York: Thunder’s Mouth Press, 1941), 128.
Quoted in Paul Oliver, Conversation with the Blues (Cambridge: Cambridge University Press, 1965), 20.
Samuel A. Floyd Jr., The Power of Black Music: Interpreting Its History from Africa to the United States (New York: Oxford University Press, 1995), 32.
Big Bill Broonzy, “The Young Big Bill Broonzy 1928–1935,” Shananchie Entertainment, 2005
Bertha, “Chippie”; Hill, “Trouble in Mind,” Circle J1003A, c. 1946.
Paul Oliver, The Story of the Blues (Boston: Northeastern University Press, 1969), 3.
Leon F. Litwack, Trouble in Mind: Black Southerners in the Age of Jim Crow (New York: Alfred A. Knopf, 1998), 436.
Victoria W. Wolcott, Remaking Respectability: African American Women in Interwar Detroit (Chapel Hill: University of North Carolina Press, 2001), 16.
Paul Oliver, Blues Fell This Morning: Meaning in the Blues (Cambridge: Cambridge University Press, 1960), 284.
Stephen Henderson, Understanding the New Black Poetry: Black Speech and Black Music as Poetic References (New York: Morrow, 1973), 44.
Patricia Hill Collins, Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, 2nd ed. (New York: Routledge Press, 2000), 34.
Henry Louis Gates Jr., The Signifying Monkey: A Theory of African-American Literary Criticism (New York: Oxford University Press, 1988), xxiv.
Nat Shapiro and Nat Hentoff, eds, Hear Me Talkin’ to Ya: The Story of Jazz as Told by the Men Who Made It (New York: Dover Publications Inc., 1955), 240.
Newbell Niles Puckett, Folk Beliefs of the Southern Negro (Kissinger Publishing’s Rare Reprints, Whitefish MT, 1925), 243.
Zora Neale Hurston, Their Eyes Were Watching God (New York: Perennial Classics, 1990 originally published by J.P. Lippincott, Inc. 1937), 104.
John F. Callahan, ed., The Collected Essays of Ralph Ellison (New York: The Modern Library, 2003), 155–188.
Julio Finn, The Bluesman: The Musical Heritage of Black Men and Women in the Americas (New York: Interlink Books, 1992), 6.
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© 2012 Kelly Brown Douglas
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Douglas, K.B. (2012). Crazy Blues. In: Black Bodies and the Black Church. Black Religion / Womanist Thought / Social Justice. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137091437_1
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DOI: https://doi.org/10.1057/9781137091437_1
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