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Part of the book series: Contemporary Black History ((CBH))

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Abstract

In his seminal essay on the Black Arts Movement, Larry Neal wrote:

The Black Arts Movement is radically opposed to any concept of the artists that alienates him from his community. Black Art is the aesthetic and spiritual sister of the Black Power concept. As such, it envisions an art that speaks directly to the needs and aspirations of Black America. In order to perform this task, the Black Arts Movement proposes a radical reordering of the Western cultural aesthetic. It proposes a separate symbolism, mythology, critique and iconology. The Black Arts and Black Power concept both relate broadly to the Afro-American’s desire for self-determination and nationhood. Both concepts are nationalistic. One is politics; the other with the art of politics.

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© 2015 Michael Simanga

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Simanga, M. (2015). The Black Arts Movement and CAP. In: Amiri Baraka and the Congress of African People. Contemporary Black History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137080653_5

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  • DOI: https://doi.org/10.1057/9781137080653_5

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-1-349-29429-9

  • Online ISBN: 978-1-137-08065-3

  • eBook Packages: Palgrave History CollectionHistory (R0)

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