Abstract
Given the ongoing economic and environmental upheaval, US conservation activist and landscape photographer Eliot Porter’s concern 30 years ago over the possibility of pressure from a “consortium of petroleum corporations” to drill in the fragile US Arctic might well have been written in the summer of 2011, as the ice of the North Pole melted to create a new, open zone of imperial contestation. Or it might be written in the near future, to decry new zones of economic development that restructure the Antarctic for exploitation. Although protected from economic mining interests by the 1959 Antarctic Treaty for the present, Antarctica has nevertheless become a focus of economic pressure driven by a renewed scramble for scarce resources.1
As world reserves of oil and gas go on shrinking, and as the richest mineral deposits approach exhaustion, international consortia will begin to exert pressure on governments to permit exploratory drilling in the unglaciated dry valleys … and on the continental shelfof Antarctica.
Eliot Porter, Antarctica 1978
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Notes
See Bloom, Glasberg, and Kay (2008) “Introduction: New Poles, Old Imperialism” for the way rising oil prices have increased pressure to exploit the polar regions as possible solutions.
Photographs of US explorer Richard E. Byrd’s “Little America” bases from 1928 to 1938 document a built environment prominently featuring jumbled boxes and fuel cans on a field of ice. For a range of photographs depicting US bases throughout the 1930s and 1940s, see “All-out Assault on Antarctica,” National Geographic Magazine CX(2) (August 1956): 141–180. Explicitly modeled after the Little America base, the opening shots of the Antarctic base in John Carpenter’s 1982 The Thing pans across empty fuel drums against the ice.
Jenkins, Simon. “Millions Go Cold and Hungry Because of Polar Scientists.” Guardian (March 14, 2008): 14–15.
Cronin (1995), “The Trouble with Wilderness,” in Uncommon Ground.
Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism (New York: Picador, 2007).
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© 2012 Elena Glasberg
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Glasberg, E. (2012). Photography on Ice. In: Antarctica as Cultural Critique. Critical Studies in Gender, Sexuality, and Culture. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137014436_5
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DOI: https://doi.org/10.1057/9781137014436_5
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