Abstract
Women’s theater in the United States has a long, still insufficiently acknowledged history. It is a theater that has changed with the times, acquiring new political and theoretical biases, and so it does not lend itself to one-dimensional definitions: should all plays written by women be considered as feminist plays? If they are written for women? If they are about women’s problems and preoccupations—but written for a general audience, or even specifically for a male spectator? If, in more or less sensational fashion, they overturn patriarchal expectations of the well-made play? Many dramatists and critics have delineated their definitions. As far back as 1914, Florence Kiper wrote that a play written by a woman is readily recognized as such because a woman playwright “does not attempt to imitate the masculine viewpoint” and she “sees the feminine experience through feminine temperament” (928).
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© 2012 Barbara Ozieblo and Noelia Hernando-Real
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Hernando-Real, N., Ozieblo, B. (2012). American Women Playwrights and Violence against Women. In: Ozieblo, B., Hernando-Real, N. (eds) Performing Gender Violence. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137010568_3
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DOI: https://doi.org/10.1057/9781137010568_3
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-34246-4
Online ISBN: 978-1-137-01056-8
eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)