Abstract
New Formalisms and Literary Theory is a conversation that began between Linda Tredennick and myself, but it is also an on-going conversation into which we stumbled, to which we listened for a while, and one which we felt needed to be formalized (pun intended). This collection aims to share this conversation. It is our goal, with the help of our contributors, to trace the beginnings of New Formalism and to sketch how it, too – much like our branch of its conversation – began to grow, reach out, and theorize itself, long before it shared in our conversation or before we participated in its.
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Notes
William Shakespeare, King Lear (Conflated Text), in The Norton Shakespeare, edited by Stephen Greenblatt, Walter Cohen, Jean E. Howard, and Katharine Eisaman Maus (New York: W.W. Norton & Co., 2008), 2493–567.
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Marjorie Levinson, ‘What is New Formalism?’PMLA 122.2 (2007): 558–69.
Levinson: The quote comes from page 2 of the longer version of this article, available at http://sitemaker.umich.edu/pmla_article/home (accessed 13 November 2012; see also its comprehensive bibliography of New Formalist scholarship).
Fredric Jameson, The Political Unconscious, 2nd edn (Ithaca: Cornell University Press, 1981), 9.
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Stephen Cohen, ‘New Historicism and the Promise of a Historical Formalism,’in Renaissance Literature and its Formal Engagements, edited by Mark David Rasmussen (New York: Palgrave Macmillan, 2002), 27.
Stephen J. Greenblatt, Hamlet in Purgatory (Princeton: Princeton University Press, 2001), 4–5.
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Harry Berger, Jr, email communication with Verena Theile, 3 October 2012.
Berger, email communication with Verena Theile, 28 July 2010.
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© 2013 Verena Theile
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Theile, V. (2013). New Formalism(s): A Prologue. In: Theile, V., Tredennick, L. (eds) New Formalisms and Literary Theory. Palgrave Macmillan, London. https://doi.org/10.1057/9781137010490_1
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DOI: https://doi.org/10.1057/9781137010490_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-43636-1
Online ISBN: 978-1-137-01049-0
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