Abstract
The ‘woman question’ and the ‘national question’ continued to dominate Czech women’s writing of the period from the 1890s to shortly after the First World War; the two questions emerged again, now normally clearly separated, in the 1930s and remained a theme of literature throughout the German Occupation. Women writers shared the same fate and followed the same trends as their male colleagues, though comparatively few adhered to avant-garde trends in the 1890s (Decadence, Symbolism, Naturalism) or the 1920s and 1930s (Expressionism, Poetism, Surrealism). At the turn of the century women’s writing and writing about women was well-served by periodicals, for example, Lada, Ženské listy, Ženská revue, Ženský svet or the annual Kalendář paní a dívek ćeských. The chief Czech literary salon was run by Felix Tèver (Anna Lauermannová-Mikschová), and smaller salons were later presided over by Ru̇žena Svobodová and Eva Jurčinová. Throughout the fin de siècle, some male writers and politicians were as vociferous as women on the woman question: particularly T. G. Masaryk, J. S. Machar, M. A. Šimáček and Alois Hajn.
I wish to express my profound gratitude to Derek Paton in Prague for countless books and photocopies without which work on Czech women writers of this period would not have been possible
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Notes
At the time of writing, no survey of Czech woman’s writing exists in any language. Arne Novák pays pretty full attention to some of the writers I mention here and mentions perhaps a majority of the others in the survey of Czech literature he published with Jan V. Novák, Přehledné dějiny literatury české (Olomouc, 1936–39),
and most of them have an entry in Jaroslav Kunc, Slovník soudobých českých spisovatelu̇(Prague, 1946).
For the earlier part of my period, the women’s history, Milena Lenderová, K hříchu i k modlitbě (Prague, 1999) is very useful. Dagmar Mocná has outlined the work of some authors of Trivialliteratur I do mention and some I do not in Červená knihovna (Prague and Litomyšl, 1996).
Arne Novák has essays on Teréza Nováková and the actress and minor writer Hana Kvapilová in his Podobizny žen (1st edn, Prague, 1918), and in the 2nd edn (Prague and Brno, 1940) one will also find essays on Felix Tèver, Pavla Moudrá and Ru̇žena Svobodová.
Katherine David has surveyed Czech feminist politics and its link with nationalism in ‘Czech Feminists and Nationalism in the Late Habsburg Monarchy: “The First in Austria”’ (Journal of Women’s History, 3 [1991], 2, pp. 26–45), and Pynsent treats the same period from a literary point of view in ‘The Liberation of Woman and Nation: Czech Nationalism and Women Writers of the Fin de Siècle’
(Robert B. Pynsent, ed., The Literature of Nationalism, Basingstoke, 1996, pp. 83–155). Memoirs and monographs have been devoted to a number of writers I have mentioned in this survey; for example,
Dobrava Moldanová, Božena Benešová (Prague, 1976);
Drahomíra Krulová, Jak j sme se loučili s Pavlou Kytlicovou (Jaromerice, 1933);
Jiří Hájek, Marie Majerová aneb román a doba (3rd rev. edn, Prague, 1982);
Ružena Násková and Božena Pášková (eds), Jeden život. Hrst vzpomínek na Helenu Malířovou (Prague, 1948);
Jaroslav Novotný, Kraj a dílo Terézy Novákové (Prague, 1924);
Milan Blahynka, Marie Pujmanová (Prague, 1961);
Milena Nováková, Básnířka života a snu [on Svobodová] (Prague, 1940);
Gustav Erhart, Marys a Radonová-Šárecká (Pelhřimov, 1940);
Miroslav Herman, Národní um elkyně Anna Maria Tilschová (Prague, 1949);
Karel Krejčí, A. M. Tilschová (Prague, 1959).
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© 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Pynsent, R.B. (2001). Czech Women Writers, 1890s–1948. In: Hawkesworth, C. (eds) A History of Central European Women’s Writing. Studies in Russia and East Europe. Palgrave Macmillan, London. https://doi.org/10.1057/9780333985151_9
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