Abstract
Making art is deeply personal, whether the form is finger painting or the most remote digitalised work produced through mathematically directed electronic media. Even in shared work, such as mural making or other collective pieces, the individual brings his or her unique vision to the process. The lure of creating form and colour through unbounded involvement predates history and continues into realms unimagined even a decade ago. This personal aspect, the idiosyncratic container each person brings to visual art, whether as viewer or creator, makes this Expressive Art type invaluable in the DPS repertoire.
Some of the pictures are truly mysterious to me, which is why I so often say publicly that I don’t know or don’t care what they’re really about.And yet I can also say that the paintings are prayers, that they have to do with whatever it is that makes you want more than what daily life affords.
Susan Rothenberg1
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Notes
Newton, Stephen J. (2001) Painting, psychoanalysis, and spirituality (Cambridge: Cambridge Press).
Rivera, Ricardo (2005, November) Personal interview. Sacramento CA.
Krebs, Nina (1999) Edgewalkers (Far Hills, New Jersey: New Horizons Press).
Heringer, Tina (2005, July 13) Personal interview—San Francisco.
Krebs, Nina (May 2003) Portent and Portal: The soul and spirit of everywoman (Sacramento City College: Gregory Kondos Gallery).
Cameron, Julia (2002) The artist’s way (New York: Jeremy P. Tarcher/ Putnam).
Lecht, Suzanne (June, 2005) Personal interview by Carey Allen & Lucy Milan. Hanoi.
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© 2007 Rob Allen and Nina Krebs
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Allen, R., Krebs, N. (2007). Visual Art. In: Dramatic Psychological Storytelling. Palgrave Macmillan, London. https://doi.org/10.1057/9780230800557_9
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DOI: https://doi.org/10.1057/9780230800557_9
Publisher Name: Palgrave Macmillan, London
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