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‘We are not pirates’: Piracy and Navigation in The Lusiads

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Book cover Pirates? The Politics of Plunder, 1550–1650

Part of the book series: Early Modern Literature in History ((EMLH))

Abstract

Few readers would describe the 1572 maritime epic Os Lusíadas (The Lusiads) by Luís Vaz de Camões as centrally concerned with piracy. Taking the form of a long and highly stylized eulogy on Vasco da Gama’s first voyage into the Indian Ocean (lasting from 1497 to 1499), the poem applies the epic formula of Virgil’s Aeneid to the modern experience of deep-sea navigation, making da Gama the new Aeneas, and Portugal the new Rome. Its crowded cast includes heroic Lusitanian seafarers, hostile Muslim rulers, rowdy pagan deities, a whole array of indigenous characters met en route from Lisbon to Calicut — but not a single pirate. This is no accidental omission. Da Gama sails not only as a self-conscious explorer but also as a Christian missionary, whose poetic persona has fully absorbed the heroic code of honest and honourable seafaring. But while pirates are ostensibly alien to the moral economy of The Lusiads, the poem is at the same time so deeply immersed in contemporary maritime culture (written as it is by an experienced seafarer) that the very idea of piracy cannot be eliminated altogether from its imaginative world.

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Notes

  1. On the maritime origins of early capitalism see Marcus Rediker, Between the Devil and the Deep Blue Sea: Merchant Seamen, Pirates, and the Anglo-American Maritime World, 1700–1750 (Cambridge: Cambridge University Press, 1987).

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© 2007 Bernhard Klein

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Klein, B. (2007). ‘We are not pirates’: Piracy and Navigation in The Lusiads. In: Jowitt, C. (eds) Pirates? The Politics of Plunder, 1550–1650. Early Modern Literature in History. Palgrave Macmillan, London. https://doi.org/10.1057/9780230627642_7

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