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Trickster’s Gamble: Capitalizing Indigenous Discourse in Vizenor’s The Heirs of Columbus and Erdrich’s The Bingo Palace

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Plural Sovereignties and Contemporary Indigenous Literature
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Abstract

For the good as well as the ill, the wholesale penetration of market capitalism into local indigenous economies has created ideal conditions for the emergence of plural sovereignties at the dawn of the twenty-first century. At least for now, there is no other game in town. As economic subjects of an increasingly capitalized modernity, indigenous peoples can seek to effect meaningful changes in their communities as agents using capitalist tools even while being harnessed to a system they may, at times, reject or even abhor. In descriptive terms, this is the balancing act the pluralism inherent in plural sovereignties requires of indigenous writers and the subjects of their novels.

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Notes

  1. Gerald Vizenor, “Trickster Discourse: Comic Holotropes and Language Games,” in Narrative Chance: Postmodern Discourse on Native American Indian Literatures, ed. Gerald Vizenor (Norman: Univ. of Oklahoma Press, 1993), 188.

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  12. Vizenor has gone on record criticizing the long-term impact of tribal gaming, stating that “[C]asinos have distracted the lost and lonesome, and with some humor, but not with a native vision that heals…. The Supreme Court might hear a case over taxation on treaty land, the rights of states and native casinos, and rule against the idea of native sovereignty.” See Gerald Vizenor and A. Robert Lee, Postindian Conversations (Lincoln: Univ. of Nebraska Press, 1999), 92–93.

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  14. For her part, Erdrich distinguishes between two kinds of love: one being the fraught individualized expressions of the self when routed through a love object; and the other being those “romantic notions” that “categorize a people” rather than acknowledge that indigenous lives (like any other) are “complex and unpredictable.” The trickster plot of the The Bingo Palace ben-efits from an operating conflation between these. See Nancy Feyl Chavkin and Allan Chavkin, “An Interview with Louise Erdrich,” in Conversations with Louise Erdrich and Michael Dorris, ed. Allan Chavkin and Nancy Feyl Chavkin (Jackson: University Press of Mississippi, 1994), 231.

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  21. While being among the more visible sectors of indigenous commercial enterprise, the concentrated media emphasis on “boom or bust” ventures such as organized gaming often (and unfairly) obscures other efforts indigenous communities are making to diversify and sustain community capital investments in alternative ventures, ranging from land and energy resource management to business-to-business and private-public entity partnerships. See Robert B. Anderson, Bob Kayseas, Leo Paul Dana, and Kevin Hindle “Indigenous Land Claims and Economic Development: The Canadian Experience,” American Indian Quarterly 28.3&4 (2004): 634–48;

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  23. Tracylee Clarke, “An Ideographic Analysis of Native American Sovereignty in the State of Utah: Enabling Denotative Dissonance and Constructing Irreconcilable Conflict,” Wicazo Sa Review 17.2 (2002): 43–63.

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  26. Louise Erdrich, The Bingo Palace (New York: HarperCollins, 1994), 37–39. Subsequent references to the novel will be made parenthetically in the text.

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  27. Karl Marx, “The Fetishism of Commodities and the Secret Thereof,” in The Marx-Engels Reader, ed. Robert C. Tucker (New York: Norton, 1978), 319–20.

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© 2009 Stuart Christie

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Christie, S. (2009). Trickster’s Gamble: Capitalizing Indigenous Discourse in Vizenor’s The Heirs of Columbus and Erdrich’s The Bingo Palace. In: Plural Sovereignties and Contemporary Indigenous Literature. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230620759_4

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