Abstract
Alphanumeric names for products are everywhere, having become part of a widespread naming trend in the contemporary marketplace. Take one area of that marketplace as a case in point—car model names. Here we find Mercedes Benz’s E3-20, the Mazda RX-7, the Pontiac G6, the Corvette C6, the Audi A4, among many other similarly named vehicles. At one level, these naming trends, like the use of i in iPod, are designed to appeal to a new generation of customers accustomed to i-Language style (Chapter 4). But at another level, they conjure up images of mystery and the occult, similar to those evoked by the kinds of secret codes and cryptography used in pop fiction narratives, from detective stories to supernatural thrillers.
Nobody before the Pythagoreans had thought that mathematical relations held the secret of the universe. Twenty-five centuries later, Europe is still blessed and cursed with their heritage.
—Arthur Koestler (1905–83)
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Notes
Hans Biedermann, Dictionary of Symbolism (London: Meridian, 1992), 302.
Amelia Wilson, The Devil (Hauppauge, NY: Barron’s Educational Series, 2002).
Chuck Chrisfulli and Kyra Thomson, Go to Hell: A Heated History of the Underworld (New York: Simon and Schuster, 2005), 194.
Gary Lachman, Turn Off Your Mind: The Mystic Sixties and the Dark Side of the Age of Aquarius (New York: Disinformation Books, 2001).
Simon During, Modern Enchantments: The Cultural Power of Secular Magic (Cambridge, MA: Harvard University Press, 2002).
Ted Greenwald, Rock & Roll (New York: Friedman, 1992), 53.
Robin Wood, Hollywood from Vietnam to Reagan (New York: Columbia University Press, 1979), 23.
A good account of psychoanalytic theories of horror stories is the one by Mikita Brottman, High Theory/Low Culture (New York: Palgrave Macmillan, 2005), 107–38.
Joshua Gee, Encyclopedia Horrifica (New York: Scholastic, 2007), 29.
See Linda Sonntag, Seduction through the Ages (London: Octopus, 2001), 120–24.
Tony Home, Children of the Night. Of Vampires and Vampirism (London: Indigo, 1999).
A good analysis of goth lifestyle is the one by Paul Hodhinson, Goth: Identity, Style and Subculture (New York: Oxford University Press, 2002).
Dick Hebdige, Subculture: The Meaning of Style (London: Routledge, 1979), 102.
These, and other perspectives of the UFO phenomenon, are discussed insightfully in an interesting collection of studies in Debbora Battaglia, ed., A. T. Culture: Anthropology in Outer Spaces (Durham, NC: Duke University Press, 2005).
Allan J. Gedalof, Jonathan Boulter, Joel Faflak, and Cameron McFarlane, eds., Cultural Subjects: A Popular Culture Reader (Toronto: Nelson, 2005), 282.
An example of this point of view is found in Barbara Creed, “Horror and the Monstrous-Feminine: An Imaginary Abjection,” in Cultural Subjects: A Popular Culture Reader, ed. Allan J. Gedalof, Jonathan Boulter, Joel Faflak, and Cameron McFarlane (Toronto: Nelson, 2005), 303–17.
Oscar Wilde, The Picture of Dorian Gray (London: Penguin, 1892), 234.
See Jean Baudrillard, Simulations (New York: Semiotexte, 1983).
George Gerbner, “Epilogue: Advancing on the Path of Righteousness (Maybe),” in Cultivation Analysis: New Directions in Media Effects Research, ed. Nancy Signorielli and Michael Morgan (Newbury Park, CA: Sage, 1990), 261.
Rennay Craats, Alien Encounters: Strange Events and Unexplained Phenomena (Canmore: Altitude, 2006), 141–42.
A comprehensive treatment of number symbolism is the one by Miranda Lundy, Sacred Number: The Secret Qualities of Quantities (New York: Walker, 2005).
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© 2009 Marcel Danesi
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Danesi, M. (2009). N-Power: Occultism in Pop Culture. In: X-Rated!. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230617834_5
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DOI: https://doi.org/10.1057/9780230617834_5
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