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Abstract

The writer Ernest Hemingway wrote the definitive American Great War novel, A Farewell to Arms, after his own experience as an ambulance driver on the Italian front. In the story, mechanics with an army medical unit sit in a dugout and debate how and whether the combatants—rather than their political leaders—should stop the war, as the company awaits the start of an expected bombing campaign. The men, including the Italians Passini and Manera, and the American ambulance driver Lieutenant Frederic Henry, smoke quietly and drink rum together. Soon, the discussion turns to the various provincial Italian units—the Piedmont bersaglieri and the Nepalese granatieri—and which group would more likely attack than the others; male honor is clearly at stake. Soldiers refusing to attack were executed by the carabinieri (military police), reports Passini. But if not for such punishment, counters Manera, no one would attack. If no one attacked, he continues, the war would be over. Frederic Henry adds that the war would not end if one side stopped fighting, and that conditions could be worse if soldiers laid down their arms.

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Notes

  1. Ernest Hemingway, A Farewell to Arms (New York: Charles Scribner’s Sons, 1929; repr. 1993), 49–50.

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  2. Paul Fussell, The Great War and Modern Memory (New York: Oxford University Press, 1975), 21–22, provides a list of feudal words and phrases in use by the British during the war; Stefan Goebel, The Great War and Medieval Memory: War, Remembrance and Medievalism in Britain and Germany, 1914–1940 (Cambridge: Cambridge University Press, 2007), compares medievalism in Great Britain and Germany.

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  3. Kenneth S. Zagacki, “Rhetoric, Redemption, and Reconciliation: a Study of Twentieth Century Postwar Rhetoric,” PhD diss. (University of Texas at Austin, 1986), 5.

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  5. Sheila Meintjes, Anu Pillay, and Meredeth Turshen, “There is No Aftermath for Women,” in The Aftermath: Women in Post-Conflict Transformation, ed. Meintjes, Pillay, and Turshen (London: Zed Books, 2002), 4.

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  6. Keith L. Nelson, Victors Divided: America and the Allies in Germany, 1918–1923 (Berkeley: University of California Press, 1975).

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© 2008 Erika Kuhlman

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Kuhlman, E. (2008). Introduction. In: Reconstructing Patriarchy after the Great War. The Palgrave Macmillan Series in Transnational History. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230612761_1

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  • DOI: https://doi.org/10.1057/9780230612761_1

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-1-349-37117-4

  • Online ISBN: 978-0-230-61276-1

  • eBook Packages: Palgrave History CollectionHistory (R0)

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