Abstract
In the above lines, James Cone reflects on his own early theological journey and emerging frustrations with and rage against the theological powers-that-be. With an explosive and creative merging of Martin Luther King, Jr. and Malcolm X in his body and soul, in the 1960s Cone denounced his doctoral advisor, and really by implication the entire white, Christian theological establishment, as racist. How could any Christian in America at this time keep silent in the face of enormous racial tensions and violence? he asked. Cone credits blackness as the key to unlocking the theological shackles that had been placed on him and as the existential source for a revolutionary way of doing theology, a new set of concerns, and a new primary audience. Cone’s conversional “return to blackness” remains one of the most significant events in the history of Christian theology.
Blackness gave me new theological spectacles, which enabled me to move beyond the limits of white theology, and empowered my mind to think thoughts that were wild and heretical when evaluated by white academic values. Blackness opened my eyes to see African-American history and culture as one of the most insightful sources for knowing about God since the Bible was declared a canon. Blackness whetted my appetite for learning how to do theology with a black signature on it and thereby make it accountable to poor black people and not to the privileged white theological establishment. (James H. Cone, Risks of Faith, xxii)
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Notes
Jacqueline Grant explains that Cone did not address this issue until the mid-1970s. Furthermore, Grant asserts, the first male black theologian who did was William R. Jones in his book, Is God a White Racist?: A Preamble to Black Theology (Boston: Beacon Press, 1973 ). There Jones stated, “[Hjere the issue of divine sexism becomes a live issue. What does Jesus’ assumption of a male form imply relative to the coequal status, the cohumanity and salvation of females?” (126). It would be a few years before the formal beginnings of Womanist Theology came.
Gustavo Gutierrez, A Theology of Liberation: History, Politics, and Salvation, rev. ed. ( Maryknoll, NY: Orbis, 1988 ), 11.
Paul Tillich, Systematic Theology, vol. 1 (Chicago: University of Chicago Press, 1951 ), 66.
Albert Cleage, The Black Messiah (Trenton, NJ: Africa World Press, 1989 ed.), 41, 45.
Cone reiterates his perspective on suffering and theodicy in “Calling the Oppressors to Account: Justice, Love, and Hope in Black Religion,” in The Courage to Hope: From Black Suffering to Human Redemption ed. Quinton Hosford Dixie and Cornel West (Boston: Beacon Press, 1999); this essay is reprinted as “God is the Color of Suffering,” in The Changing Face of God ed. Frederick Schmidt (Atlanta: Morehouse Publishing, 2000). See also Warren McWilliams, “Theodicy according to James Cone,” Journal of Religious Thought 36 (Fall-Winter 1979): 45–54 and McWilliams, “Divine Suffering in Contemporary Theology,” Scottish Journal of Theology 33 no. 1 (1980): 39–43.
Karl Marx, “Criticism of Religion Is the Presupposition of All Criticism,” in The Karl Marx Library, vol. 5, On Religion, ed. Saul K. Padover ( New York: McGraw Hill, 1974 ), 35–36.
Martin Luther King, Jr., Where Do We Go from Here? Chaos or Community? ( Boston: Beacon, 1967 ), 105.
King, Why We Can’t Wait ( New York: New American Library, 1963 ), 82.
Noel Leo Erskine, King among the Theologians ( Cleveland: Pilgrim, 1994 ), 152.
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© 2008 Kurt Buhring
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Buhring, K. (2008). What Does the Christian Gospel Have to Do with the Black Power Movement?: James Cone’s God of the Oppressed. In: Conceptions of God, Freedom, and Ethics in African American and Jewish Theology. Black Religion/Womanist Thought/Social Justice. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230611849_2
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