Abstract
Few people will disagree that arroz con gandules is part of Puerto Rican culture, but few will agree that mangú or rape are also a part of it. Are reggaetón, hip-hop, and punk as much a part of Puerto Rican culture as danza, plena, and jíbaro music? Is boricua culture a selective agglomeration of our collective virtues or does it also include our worst vices? How do we deal with the fact that what looks like a “virtue” to one person can appear as a “vice” to another? The answers to these questions vary greatly as arguments regarding what Puerto Rican culture is have been (and are still) central to the most cohesive discourse of boricua community building, namely, cultural nationalism.
Keywords
- Sexual Double Standard
- Cultural Nationalism
- Collective Virtue
- Dominant Strand
- National Cultural Identity
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Few polemicists set out to prove that their ancestors invented blood sacrifice, the sexual double standard, or the ambush.
Sidney Mintz, Caribbbean Transformations1
Hay cultura establecida y cultura estableciéndose. [There is established culture and culture establishing itself.]
Vico C, Interview with Author2
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Notes
Sydney Mintz, Caribbean Transformations (New York: Columbia University Press, 1990).
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Carlos Pabón, “De Albizu a Madonna: Para armar y desarmar la nacionalidad,” bordes 2 (1995): 22–40.
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and Yolanda Martínez-San Miguel, Caribe Two Ways: Cultura de la migraciôn en el Caribe insular hispánico (San Juan: Ediciones Callejón, 2003).
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© 2007 Frances Negrón-Muntaner
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Rivera, R.Z. (2007). Will the “Real” Puerto Rican Culture Please Stand Up? Thoughts on Cultural Nationalism. In: Negrón-Muntaner, F. (eds) None of the Above: Puerto Ricans in the Global Era. New Directions in Latino American Cultures. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230604360_17
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DOI: https://doi.org/10.1057/9780230604360_17
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