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Notes
Paul Ginsborg, A History of Contemporary Italy: Society and Politics 1943–1998 (New York: Penguin, 1990), 98.
Antonio Vitti, Giuseppe De Santis and Postwar Italian Cinema (Toronto: University of Toronto Press, 1996).
Gregory D. Black, The Catholic Crusade against the Movies, 1940–1975 (New York: Cambridge University Press, 1998).
Carlo Celli, “The Legacy of Mario Camerini in Vittorio De Sica’s The Bicycle Thief (1948),” Cinema Journal 40, 4 (2001), 3–17. ©2001 by the University of Texas Press. All rights reserved.
P. Adams Sitney, Vital Crisis in Italian Cinema (Texas UP, 1995), 93.
Mary Ann Doane, The Desire to Desire the Woman’s Film of the 1940’s (Bloomington: Indiana University Press, 1987), 39.
P. Adams Sitney, Vital Crisis in Italian Cinema (Texas University Press, 1995), 2.
Tomasulo, “The Bicycle Thief. A Re-Reading,” Cinema Journal, 21, 2 (Spring 1982), 8. See also Wilhelm Reich, The Mass Psychology of Fascism, ed. Mary Higgins and CM. Raphael, trans. V.R. Carfagno (London: Souvenir, 1972).
Vincent Rocchio, Cinema of Anxiety: A psychoanalysis of Italian Neorealism (Austin: University of Texas Press, 1999), 77.
Cecilia Dau Novelli, “La famiglia come soggetto della ricostruzione sociale (1942–1949),” in G. De Rosa, ed., Cattolici, chiesa, resistenza (Bologna: Il Mulino, 1997), 469–490.
Nuzzi and lemma, De Sica, 119. The columns by Piero Regnoli under the pen name Vice appeared in L’avvenire d’Italia and L’osservatore romano. The excerpt from the film is “Io voglio uscire da questo luogo santo sentendomi purificato nell’anima e rassenerato nello spirito. (I want to exit this holy place feeling purified in soul and reassured in spirit).”
Franco Fortini, “Ladri di biciclette (1949),” in Dieci inverni, 1947–1959: Contributi a un discorso socialista (Milan: Feltrinelli, 1958), 128–131. Also Sitney, Vital Crisis in Italian Cinema, 96.
Peter Bondanella, Italian Cinema from Neorealism to the Present (New York: Continuum, 1995), 61. Also Tomasulo, “The Bicycle Thief: A Re-Reading,” 4, 11–12.
Franco Pecori, De Sica. Il castoro cinema (Florence: La nuova Italia, 1980), 21.
Jacqueline Reich, “Reading, Writing, and Rebellion: Collectivity, Specularity, and Sexuality in the Italian Schoolgirl Comedy, 1934–43,” in Robin Pickering-Iazzi, ed., Mothers of Invention Women, Italian Fascism and Culture (Minneapolis: Minnesota University Press, 1995), 220–251.
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© 2007 Carlo Celli and Marga Cottino-Jones
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Celli, C., Cottino-Jones, M. (2007). Reconstruction and the Late ’40s. In: A New Guide to Italian Cinema. Italian and Italian American Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230601826_4
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