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The Fascist Years (1922–43)

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A New Guide to Italian Cinema

Part of the book series: Italian and Italian American Studies ((IIAS))

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Notes

  1. Emilio Lussu, Marcia su Roma e Dintorni (Italy: Mondadori, 1976), 3.

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  2. Ernst Nolte, Three Faces of Fascism (New York: Signet, 1963).

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  3. Denis Mack Smith, Cavour (New York: Knopf, 1985).

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  4. Dennis Mack Smith, Mussolini (New York: Knopf, 1982); Mussolini’s Roman Empire (New York: Viking Press, 1976).

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  5. Marcia Landy, Cinematic Uses of the Past (Minneapolis: Minnesota University Press, 1996), 78.

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  6. Angelo Cammarosano, Lezioni di cultura fascista (Ancona: Nacci, 1934).

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  7. Gianfranco Casadio, Il grigio e il nero. Spettacolo e propaganda nel cinema italiano degli anni trenta (1931–1943), (Ravenna: Longo, 1989), 10.

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  8. Carlo Celli, “Alessandro Blasetti and Representations of Italian Fascism in the 1930s,” Italian Culture, 16, 2 (1998), 99–109.

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  9. Pierre Sorlin, “Il Risorgimento italiano: 1860,” in Gianfranco Miro Gori, ed., La storia al cinema Ricostruzione del passato interpretazione del presente (Rome: Bulzoni, 1994), 416.

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  10. Fernaldo Di Giammateo, Dizionario del cinema italiano. Dall’inizio del secolo a oggi i film che hanno segnato la storia del nostro cinema (Roma: Riuniti, 1995), 317.

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  11. Carlo Celli, “The Legacy of Mario Camerini in Vittorio De Sica’s The Bicycle Thief (1948),” Cinema Journal 40, 4 (2001), 3–17. Copyright ©2001 by the University of Texas Press. All rights reserved.

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  12. Gianfranco Casadio, Ernesto G. Laura, and Filippo Cristiano, Telefoni bianchi : realtà e finzione nella società e nel cinema italiano degli anni trenta (Ravenna: Longo, 1991).

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  13. Mario Camerini, “Comment realise-t-on un film (How to Make a Film),” in Alberto Farassino, ed., Mario Camerini (Locarno: Editions Yellow Now, 1992), 159. Originally in Italian in Il dramma 9, 170 (September 9, 1933) and La gazzetta del popolo, May 12, 1933.

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  14. Francesco Savio, “Mario Camerini,” in Tullio Kezich, ed., Cinecittà anni trenta: parlano 116 protagonisti del secondo cinema italiano (1930–1943) (Rome: Bulzoni, 1979), 225.

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  15. Steven Ricci, “Camerini et Hollywood Questions d’identité (nationale),” in Alberto Farassino, ed., Jaqueline Fumigalli, trans., Mario Camerini (Locarno: Editions Yellow, 1992), 37.

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  16. Paolo Nuzzi and O. Iemma, De Sica & Zavattini Parliamo tanto di noi (Rome: Editori riuniti, 1997), 34.

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  17. Marga Cottino Jones, A Student’s Guide to Italian Film (Dubuque, Iowa: Kendall/Hunt Publishing, 1993), 22.

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  18. Peter Bondanella, “Three Neorealist Classics by Vittorio De Sica,” Cineaste, 23, 1 (1997), 52–53.

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  19. Paolo Mereghetti, Il Mereghetti Dizionario dei Film 2004 (Milan: Baldini Castoldi, 2003), 2366.

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  20. See Siegfried Kracauer, The Mass Ornament: Weimar Essays (Cambridge, Mass.: Harvard University Press, 1995).

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© 2007 Carlo Celli and Marga Cottino-Jones

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Celli, C., Cottino-Jones, M. (2007). The Fascist Years (1922–43). In: A New Guide to Italian Cinema. Italian and Italian American Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230601826_2

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