Abstract
‘[0]ne must, I think, be struck more and more,’ Matthew Arnold mused in Culture and Anarchy (1869), ‘to find how much, in our present society, a man’s life of each day depends for its solidity and value on whether he reads during that day, and, far more still, on what he reads during it.’1 In newspapers and especially in books, a man could gain access to the intellectual currents swirling around his private experience; he could get ‘a fresh and free play of the best thoughts upon his stock notions and habits’ (5). It was a ‘time for ideas,’ Arnold thought, ‘an epoch of expansion; and the essence of an epoch of expansion is a movement of ideas’ (57). Taking the pulse of his time, he traced its quickening pressure to the idea of democracy. ‘A new power has suddenly appeared,’ he wrote, a ‘new and more democratic force,’ urging its theories of government, humanity, and social relations upon members of Parliament and members of the public (43). The ‘old middle-class liberalism’ of mid-century had been replaced by the new democratic force, still so inchoate as to be ‘impossible yet to judge fully’ (43). John Morley, editor of The Fortnightly Review, also saw new, still unformed ways of thinking about democracy on the horizon, as he wrote in 1867, ‘There is in newspapers and in social conversation—which in an ordinary way is a dilution of newspaper—a great mass of shapeless, incoherent, fragmentary, vapoury ideas about democracy.’2
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Notes
Matthew Arnold, Culture and Anarchy [1869], ed. Samuel Lipman (New Haven: Yale University Press, 1994), p. 5.
John Morley, ‘Young England and the Political Future,’ The Fortnightly Review vii (Apr. 1867): 491–96
Christopher Harvie, The Lights of Liberalism: University Liberals and the Challenge of Democracy 1860–86 (London: Allen Lane, 1976), p. 11.
For the relation between republican and liberal thought and politics, see Eugenio F. Biagini, Liberty, Retrenchment, and Reform: Popular Liberalism in the Age of Gladstone, 1860–1880 (Cambridge: Cambridge University Press, 1992), pp. 82–83
Antony Taylor, ‘Republicanism Reappraised: Anti-Monarchism and the English Radical Tradition, 1850–1872,’ in James Vernon, ed., Re-reading the Constitution: New Narratives in the Political History of England’s Long Nineteenth Century (Cambridge: Cambridge University Press, 1996), pp. 154–78
George Meredith, Beauchamp’s Career [1874], revised edition (New York: Charles Scribner’s Sons, 1909), p. 114.
Frederic Hanison, ‘The Monarchy,’ The Fortnightly Review xvii (June 1872): 613–41
William Blake, ‘London,’ Complete Poetry and Prose of William Blake, David V. Erdman, ed. (New York: Doubleday, 1988)
Algenion Charles Swinburne, ‘The Eve of Revolution,’ Songs before Sunrise [1871], in The Poems of Algernon Charles Swinburne vol. 2 (London: Chatto & Windus, 1904)
Biagini, Liberty, p. 83; Edward Royle, Radicals, Secularists and Republicans: Popular Freethought in Britain, 1866–1915 (Manchester: Manchester University Press, 1980), pp. 46–47.
D. A. Hamer, John Morley: Liberal Intellectual in Politics (Oxford: Clarendon, 1968), p. 84.
John Morley, ‘The Chamber of Mediocrity,’ The Fortnightly Review x (Dec. 1868): 681–94
James Fitzjames Stephen, Liberty, Equality, Fraternity [1872–1873, Pall Mall Gazette], ed. and intro. R. J. White (Cambridge: Cambridge University Press, 1967), pp. 52
Jeffrey Paul von Arx, Progress and Pessimism: Religion, Politics, and History in Late Nineteenth-Century Britain (Cambridge: Cambridge University Press, 1985), p. 5.
Frances Wentworth Knickerbocker, Free Minds: John Morley and His Friends (Cambridge: Harvard University Press, 1943), p. 40.
J. W. Burrow, Whigs and Liberals: Continuity and Change in English Political Thought (Oxford: Clarendon, 1988), p. 13.
George Meredith, ‘Sonnet to—,’ The Fortnightly Review vii (June 1869): p. 696
George Meredith, ‘Aneurin’s Harp,’ The Fortnightly Review x (Sept. 1868): 255–59
George Meredith, The Egoist [1879], ed. Robert M. Adams (New York: Norton, 1979), p. 7.
George Meredith, ‘Lines to a Friend Visiting America,’ The Fortnightly Review viii (Dec. 1868): 727
Gillian Beer, Meredith: A Change of Masks. A Study of the Novels (London: Athlone, 1970), p. 97.
George Macaulay Trevelyan, The Poetry and Philosophy of George Meredith (New York: Charles Scribner’s Sons, 1913), p. 9.
Walter H. Pater, ‘A Fragment on Sandro Botticelli,’ The Fortnightly Review xiv (Aug. 1870): 155–60
George Meredith, ‘In the Woods,’ The Fortnightly Review xiv (Aug. 1870): 179–83
William Wordsworth, ‘Tintern Abbey,’ William Wordsworth: The Major Works, ed. Stephen Gill (Oxford: Oxford University Press, 2000), pp. 5
Jack Lindsay, George Meredith, His Life and Work (London: Bodley Head, 1956), p. 51.
Lionel Stevenson, The Ordeal of George Meredith, A Biography (New York: Scribner, 1953), p. 178.
William Monis, ‘On the Edge of the Wilderness,’ xi (1869): 391–94
Dante Gabriel Rossetti, ‘The Cloud Confines,’ xvii (Jan. 1872): 14–15.
George Meredith, ‘Mr. Robert Lytton’s Poems,’ The Fortnightly Review ix (June 1868): 658–72
Meredith, ‘Phaéthôn,’ The Fortnightly Review viii (1867): 293.
Robert Browning, Balaustion’s Adventure, in The Poems, ed. John Pettigrew and Thomas J. Collins (New Haven: Yale University Press, 1981), pp. 25–26.
John Morley, ‘Byron,’ The Fortnightly Review xiv (Nov. 1870): 650–73
John Morley, ‘A Fragment on the Genesis of Morals,’ The Fortnightly Review ix (Mar. 1868): 330–38
Stefan Collini, Public Moralists: Political Thought and Intellectual Life in Britain (Oxford: Clarendon, 1991), p. 103
Sheldon Amos, Review of Swinburne, Songs before Sunrise, The Fortnightly Review xv (Feb. 1871): 281–82
Edward Royle, Radicals, Secularists and Republicans: Popular Freethought in Britain, 1866–1915 (Manchester: Manchester University Press, 1980), p. 218.
Quoted in Anne Ridler, ed., Poems and Some Letters of James Thomson (London: Centaur Press, 1963), p. vxii.
Isobel Armstrong, Victorian Poetry: Poetry, Poetics, and Politics (New York: Routledge, 1993), p. 461.
Jerome J. McGarm, ‘James Thomson (B. V.): The Woven Hymns of Night and Day,’ SEL 3 (1963): 493–507
Arnold, ‘Preface to the First Edition of Poems’ [1853], The Poems of Matthew Arnold, ed. Kenneth Allott (London: Longmans, 1965), p. 592; Bertram Dobell, The Laureate of Pessimism: A Sketch of the life and Character of James Thomson (‘B. V.’) (London: published by the author, 1910).
Ridler, Poems and Some Letters, p. xi. See also Linda M. Austin, ‘James Thomson and the Continuum of Labor,’ Victorian Literature and Culture 20 (1992): 69–98
B. V. [James Thomson], ‘Weddah and Om-El-Bonain,’ National Reformer xviii (19 Nov. 1871): 325.
B. V. [James Thomson], ‘Walt Whitman,’ National Reformer xxiv (2 Aug. 1874): 67.
C. Maurice Davies, Heterodox London: Or, Phases of Free Thought in the Metropolis, 2 vols (London: Tinsley Brothers, 1874), I: 20.
See James Thomson (‘B. V.’), Poems, Essays, and Fragments, ed. John M. Robertson (London: Bertram Dobell, 1892), p. 263
B. V. [James Thomson], ‘Proposals for the Speedy Extinction of Evil and Misery,’ National Reformer xviii (27 Aug. 1871): 134.
Arthur Hugh Clough, Amours de Voyage, in The Poems of Arthur Hugh Clough, second edition, ed. F. L. Mulhauser (Oxford: Clarendon, 1974), V: 222.
J. M. Peacock, ‘The March of Truth,’ National Reformer ix (7 Apr. 1867): 222.
J. M. Peacock, ‘Verses on the Death of Austin Holyoake,’ National Reformer xxiii (26 Apr. 1874): 259.
J. A. Symonds, ‘Arthur Hugh Clough,’ The Fortnightly Review x (Dec. 1868): 589–617
Algernon Charles Swinburne, ‘A Watch in the Night,’ The Fortnightly Review x (Dec. 1868): 618–22.
James Russell Lowell in ‘Swinburne’s Tragedles,’ My Study Windows (Boston: James R. Osgood, 1873), p. 211.
Richard Dellamora, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990), p. 91.
Philip Henderson, Swinburne: Portrait of a Poet (New York: Macmillan, 1974), p. 27.
George M. Ridenour, ‘Swinburne’s Imitations of Catullus,’ Victorian Newsletter 74 (Fall 1988): 51–57
Quoted in Edmund Gosse, Life of Algernon Charles Swinburne [1917], Complete Works vol. XIX (London: Heinemann, 1927), p. 178.
Moncure D. Conway, Review of William Blake: A Critical Essay. Fortnightly Review ix (Feb. 1868): 216–20
Quoted in Margot K. Louis, Swinburne and His Gods: The Roots and Growth of an Agnostic Poetry (Montreal: McGill-Queen’s University Press, 1990), p. 99.
Jerome J. McGann, Swinburne: An Experiment in Criticism (Chicago: University of Chicago Press, 1972), p. 199.
Walter E. Houghton, The Victorian Frame of Mind, 1830–1870 (New Haven: Yale University Press, 1985), p. 46.
For the shifting valences of the tenu ‘liberty’ in mid-Victorian poetry, see Alan Sinfield, Alfred Tennyson (Oxford: Basil Blackwell, 1986).
Oscar Wilde, ‘Mr. Swinburne’s Last Volume,’ The Artist as Critic: Critical Writings of Oscar Wilde, ed. Richard Ellmann (Chicago: University of Chicago Press, 1969), p. 146.
W. B. Yeats, ‘The Symbolism of Poetry’ [1900], Essays and Introductions (New York: Macmillan, 1961), p. 159.
Ernest Dowson, The Letters of Ernest Dowson, ed. Desmond Flower and Henry Maas (London: Cassell & Co., 1967), p. 88.
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© 2005 Stephanie Kuduk Weiner
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Weiner, S.K. (2005). Meredith, Thomson, and Swinburne, 1867–1874. In: Republican Politics and English Poetry, 1789–1874. Palgrave Studies in Nineteenth-Century Writing and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9780230599680_6
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