Abstract
This book ends as it began in Chapter 1, with Susan Stewart’s reading of longing, a melancholic dynamic that pulls together the infinitely drawn out elongation of desire with an intrinsic connection with the mother, not least in the “yearning desire[s]” of pregnancy. But, as Stewart stresses, it is the mother as “an imagined location of origin” that is applicable here, not the mother as actual parent1 Taking these 23 novels as a corpus, I have been surprised by the consistency with which the spectre of the mother manifests herself in fantastic terms. This is an identification suggesting that women’s fantasies remain imprinted by what must always be that “other-space” of the maternal. The point remains, irrespective of whether we cast ourselves in the role of daughter longing for (or fleeing from) the mother, or cloak ourselves in the body of the (good or bad) maternal alter-ego.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (Durham: Duke University Press, 1993), ix and x.
Hélène Cixous, “The Laugh of the Medusa”, trans. Keith Cohen and Paula Cohen, in Elaine Marks and Isabelle de Courtivron (eds), New French Feminisms: An Anthology (Brighton: Harvester, 1981), 251.
Ernest Jones, On the Nightmare (New York: Liveright Books, 1951), 125.
Julia Kristeva, Powers of Horror: An Essay on Abjection (New York: Columbia University Press, 1982), 7.
Virginia Woolf, A Room of One’s Own (London: Grafton, 1977), 9.
See Claire Kahane, “Gothic Mirrors and Feminine Identity”, The Centennial Review 24 (1980), 43–64.
Sigmund Freud, Case Histories I, Penguin Freud Library, Vol. 8, ed. Angela Richards (Harmondsworth: Penguin, 1990), 49.
Charles Bernheimer and Claire Kahane (eds), In Dora’s Case: Freud, Hysteria, Feminism, 2nd edn (New York: Columbia University Press, 1990), 10–1.
Patricia Parker, Literary Fat Ladies: Rhetoric, Gender, Property (London: Methuen, 1987), 11.
See Sandra Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven, CT: Yale University Press, 1984), 3–44 passim.
Wendy B. Faris, “Scheherazade’s Children: Magical Realism and Postmodern Fiction”, in Lois Parkinson Zamora and Wendy B. Faris (eds), Magical Realism: Theory, History, Community (Durham: Duke University Press, 1995), 166 and 164.
Isabel Allende, Eva Luna, trans. Margaret Sayers Peden (Harmondsworth: Penguin, 1989), 100.
Author information
Authors and Affiliations
Copyright information
© 2000 Lucie Armitt
About this chapter
Cite this chapter
Armitt, L. (2000). Conclusion: The Lost Mother. In: Contemporary Women’s Fiction and the Fantastic. Palgrave Macmillan, London. https://doi.org/10.1057/9780230598997_9
Download citation
DOI: https://doi.org/10.1057/9780230598997_9
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-69453-4
Online ISBN: 978-0-230-59899-7
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)