Abstract
In 1996, Barker published his fifth volume of poetry, The Tortmann Diaries, in which a ‘solitary and diabolical’ protagonist pursues his senses of interrogation and wonder, reflecting the recognitions and active seizure of ‘alternatives’: even extending to the limitations of mortality, as identified in the major poem, ‘Infinite Resentment’, which imagines the mutiny of the dead, having glimpsed: ‘The infinite reversiblity of things/The seduction of opposites’. The work in this chapter correspondingly reflects Barker’s embodying of ‘Alternatives’, repudiations of the dominant terms of life – sometimes jointly undertaken by two parties, but frequently involving an ultimate tragic isolation; however, even this may have wider imaginative resonances for those (others) who may perceive and consider its terms.
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Notes
Kelly V. Jones, and her discussion of Webster’s The Duchess of Malfi, in her PhD thesis, The Political Aesthetics of Play and Display on the Early English Stage, Aberystwyth University, 2007.
Back cover blurb to Barker’s Collected Plays Volume Five (London: Calder, 2001).
Hans-Thies Lehmann in Postdramatic Theatre (London: Routledge, 2006).
Baudrillard, Selected Writings (Oxford: Blackwell, 1988), p. 195.
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© 2009 David Ian Rabey
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Rabey, D.I. (2009). Infinite Reversibility. In: Howard Barker: Ecstasy and Death. Palgrave Macmillan, London. https://doi.org/10.1057/9780230582033_7
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DOI: https://doi.org/10.1057/9780230582033_7
Publisher Name: Palgrave Macmillan, London
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