Abstract
This essay explores some of the indirect, tentative and imagined dimensions of early encounters between Britons and Indians within the spaces for contact that southern England made available in the final decades of the nineteenth century. The indirection I refer to – which I will describe as both zigzag and fuzzy – manifests at the levels both of what happened between, in each case, an individual Indian and an individual Briton, and also how the connections were understood and represented by these partners to the encounter. The essay asks in what ways these somewhat roundabout and diffident attempts to reach out were expressed. The beginning of an answer may lie in a highly suggestible, layered channel outside the conventional public sphere, namely, the medium of poetry, in some cases experimental, modern and avant garde, in some cases the work of tentative beginners. It is no accident therefore that each of the three pairings featured below includes at least one poet. Poets, I suggest, explore in their work some of the oblique and hitherto uncharted dimensions of the Indian-British encounter in particularly rich, evocative ways.
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Notes
P. D. Morgan, ‘Encounters between British and “Indigenous” Peoples, c1500– c1800’ in Empire and Others: British Encounters with Indigenous Peoples, 1600–1800, ed. M. J. Daunton and R. Halpern (London: University College of London Press, 1999), p. 68.
See also Elleke Boehmer, Empire, the National, and the Postcolonial, 1890–1920: Resistance in Interaction (Oxford: Oxford University Press, 2002).
Anne McClintock, Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (London: Routledge, 1995), p. 33.
B. M. Malabari, The Indian Eye on English Life or Rambles of an Indian Reformer (London: Constable, 1893; 2nd edn, Bombay, 1895).
Anon. [Ceylonese participant in 1886 Exhibition], ‘A Stranger Within Our Gates’, Daily News, 8 and 9 October 1886.
Mary Lou Emery, Modernism, the Visual and Caribbean Culture (Cambridge: Cambridge University Press, 2007), pp. 10–15.
Martin Wainwright, ‘The better class of Indians’: Social Rank, Imperial Identity, and South Asians in Britain, 1858–1914 (Manchester: Manchester University Press, 2008), see especially pp. 5–9.
See also David Cannadine, Ornamentalism: How the British Saw their Empire (London: Allen Lane, 2001).
See also Satadru Sen, Migrant Races: Empire, Identity and K. S. Ranjitsinjhi (Manchester: Manchester University Press, 2005), p. 4.
Leela Gandhi, Affective Communities: Anticolonial Thought, Fin- de-Siècle Radicalism, and the Politics of Friendship (Durham, NC: Duke University Press, 2006).
Open to Indian cultural influences across his career, Yeats cannot be regarded as an Orientalist in any straightforward way. For an alternative view, see Michael Collins, Empire, Nationalism and the Postcolonial World: Rabindranath Tagore’s Writings on History, Politics and Society (London: Routledge, 2012).
Laurence Binyon, ‘Introductory Memoir’, in Manmohan Ghose, Songs of Love and Death (Oxford: Basil Blackwell, 1926), pp. 7–9.
Ann Thwaite, Edmund Gosse: A Literary Landscape, 1849–1928 (Oxford: Oxford University Press, 1985).
Kwame Anthony Appiah, Cosmopolitanism: Ethics in a World of Strangers (London: Allen Lane, 2006). See also http://www.motherjones.com/interview/2006/02/anthony_appiah.html
Roy Foster, W. B. Yeats: A Life. Vol. 1: The Apprentice Mage (Oxford: Oxford University Press, 1997), pp. 47–8.
W. B. Yeats, The Poems, ed. and intro. Daniel Albright (London: Everyman, 1992), pp. 36–41.
John Hatcher, Laurence Binyon: Poet, Scholar of East and West (Oxford: Clarendon Press, 1995), pp. 31–5.
Laurence Binyon, Arthur C. Cripps, Manmohan Ghose and Stephen Phillips, Primavera (Oxford: Blackwell, 1890).
W. Pater, The Renaissance: Studies in Art and Poetry ([1873] Oxford: Oxford University Press, 1986), p. 40.
See Elleke Boehmer, ‘Toru Dutt’, in Empire Writing: An Anthology of Colonial Writing 1870–1918, ed. Elleke Boehmer (Oxford: Oxford University Press, 1998), p. 480.
Edmund Gosse, ‘Introductory Memoir’, in Toru Dutt, Ancient Ballads and Legends of Hindustan (London: Kegan, Paul, Trench and Co, 1882), pp. vii–xxvii.
For the first quotation see Tricia Lootens, ‘Bengal, Britain, France: The Locations and Translations of Toru Dutt’, Victorian Literature and Culture 34:2 (2006), p. 574; for the second, Gosse’s ‘Introductory Memoir’, p. vii.
Edmund Gosse, Father and Son, ed. and intro. Michael Newton ([1907] Oxford: Oxford University Press, 2004), p. 41.
Antoinette Burton, At the Heart of the Empire: Indians and the Colonial Encounter in Late Victorian Britain (Berkeley: University of California Press, 1998), p. 53.
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© 2013 Elleke Boehmer
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Boehmer, E. (2013). The Zigzag Lines of Tentative Connection: Indian-British Contacts in the Late Nineteenth Century. In: Nasta, S. (eds) India in Britain. Palgrave Macmillan, London. https://doi.org/10.1057/9780230392724_2
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