Abstract
This is the case of one writer, working in a field less familiar to us. The paradigm of practice was different in the British film of the 1920s, and it was changing, which presented problems for a screenwriter who had opinions about good screenwriting. Intellectual debate over film principles led to strong views, but tensions in practice had particular consequences.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Copyright information
© 2013 Ian W. Macdonald
About this chapter
Cite this chapter
Macdonald, I.W. (2013). Hitchcock’s Forgotten Screenwriter: Eliot Stannard. In: Screenwriting Poetics and the Screen Idea. Palgrave Studies in Screenwriting. Palgrave Macmillan, London. https://doi.org/10.1057/9780230392298_7
Download citation
DOI: https://doi.org/10.1057/9780230392298_7
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-35191-6
Online ISBN: 978-0-230-39229-8
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)