Abstract
This chapter sets out the models of European allegory from which the American tradition developed. These models formed the allegorical inheritance which was transported to the New World with the first Puritan settlers. I begin with a survey of the originary styles of allegorical interpretation because the narrative form of literary allegory developed historically from classical and biblical models of allegorical interpretation and, as such, the narrative genre is characterized by the thematization of allegorical hermeneutics within the story or plot. Differing assumptions about, and practices of, interpretation have given rise to an enormous diversity of allegorical narratives. What they all share is the quest for spiritual meaning which is sought through the correct interpretation of material signs: the signs of temporal history, corporeal nature and human reason. This spiritual meaning is assumed to explain the character of the human condition in terms of some culturally important book. The authority of this sacred book and also the legitimacy of its cultural representations are protected and promoted by the practice of allegorical interpretation. Allegory, in fact, appears at times of peculiar cultural crisis, when the authority of the sacred book is under threat from various quarters.
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Notes
See also my Rereading Allegory: A Narrative Approach to Genre (New York: St. Martin's Press, 1994; London: Macmillan, 1995), Phillip Rollinson, Classical Theories of Allegory and Christian Culture (Pittsburgh & Brighton: Duquesne University Press & Harvester Press, 1981)
Jon Whitman, Allegory: The Dynamics of an Ancient and Medieval Technique (New York & Oxford: Oxford University Press, 1987).
On Metrodorus, see J. Geffcken, ‘Allegory, Allegorical Interpretation, in James Hastings (ed.), Encyclopedia of Religion and Ethics (New York: Charles Scribner’s Sons, 1908), p. 328.
Rudolphe Pfeiffer, History of Classical Scholarship: From the Beginnings to the End of the Hellenistic Age (Oxford: Clarendon Press, 1968)
Edwin Hatch, The Influence of Greek Ideas and Usages Upon the Christian Church (London: Williams & Norgate, 1891).
See W. J. Burghardt, ‘On Early Christian Exegesis’, Theological Studies, 11 (1950), pp. 96–8.
Rabbi Dr H. Freeman and Maurice Simon (trans. and ed.), Midrash Rabbah, 10 vols (1939, 3rd imprint, London, Soncino Press, 1961), Foreword, p. x.
See also M. Gertner, ‘Midrash in the New Testament’, Journal of Semitic Studies 7 (1962), pp. 267–70, 291.
J. M. Duncan Derrett, Jesus’s Audience: The Social and Psychological Environment in which He Worked (London: Darton, Longman & Todd, 1973), p. 110.
A. C. Charity, Events and their Afterlife: The Dialectics of Christian Typology in the Bible and Dante (Cambridge: Cambridge University Press, 1966), p. 199.
Henry Chadwick, Early Christian Thought and the Classical Tradition: Studies in Justin, Clement and Origen (Oxford: Clarendon Press, 1966), p. 16.
J. L. McKenzie, ‘A Chapter in the History of Spiritual Exegesis: Henri de Lubac’s Histoire et Esprit’, Theological Studies, 12 (1951), p. 367.
See George Owst, Literature and Pulpit in Medieval England (1933, rpt Oxford: Basil Blackwell, 1966), esp. Chapter 2, ‘Scripture and Allegory’.
John Cotton, Gods Mercie Mixed with His Justice or His Peoples Deliverance in Times of Danger (1641), ed. Everett Emerson (1958, rpt New York: Scholars’ Facsimiles and Reprints, 1977), pp. 3–13.
Joshua Moody, Souldiery Spiritualized, Or the Christian Souldier Orderly, and Strenuously Engaged in the Spiritual Warre (1674), in Perry Miller and Thomas H. Johnson (ed.), The Puritans: A Sourcebook of their Writings 2 vols (1938, rev. edn, New York: Evanston & London, Harper & Row, 1963), I, pp. 367–8.
William Langland, The Vision of Piers the Plowman: A Complete Edition of the B-Text ed. A. V. C. Schmidt (1978, rpt. London & Melbourne: Dent, 1984), XIX. 83.
See James Samuel Preus, From Shadow to Promise: Old Testament Interpretation from Augustine to the Young Luther (Cambridge, Mass.: Belknap Press of Harvard University Press, 1969), pp. 55–8.
Nathaniel Hawthorne, ‘Young Goodman Brown’, (1846) in Michael J. Colacurcio (ed.), Selected Tales and Sketches of Nathaniel Hawthorne (New York: Viking Penguin, 1987), p. 134.
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© 1996 Deborah L. Madsen
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Madsen, D.L. (1996). Allegory in the Old World. In: Allegory in America. Studies in Literature and Religion. Palgrave Macmillan, London. https://doi.org/10.1057/9780230379930_2
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DOI: https://doi.org/10.1057/9780230379930_2
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